美國電影文化簡介英文

⑴ 美國電影史英文版

英譯：For a long time, the United States only to the film as a means of entertainment to Hollywood as a story and fantasy proction factories, so first of all note that the movie business value. However, after 70 years, the American film has been great development in academic research. In 1967, both in Washington and Los Angeles have established the American Film Institute (AFI). Film Archive, throughout the United States, including important ones are the New York Museum of Modern Art, Rochester's Eastman Film Archive, the Library of Congress, Washington, Berkeley Pacific Film Archive. 8 large film company has disintegrated or converting 60 years after the
A large number of film and archives donated to the museum and the University Film Studies Center, the study of national film traditions, protect their heritage plays a significant role in the film.

By 1900, Hollywood has a post office, a newspaper, a hotel and two markets, its residents number 500. 100,000 population in Los Angeles in the city, 11 kilometers east. In Hollywood and Los Angeles have only a single-track tram. 1902 Hollywood hotel, now known as the first part of the opening. In 1903, here upgraded to the city's 177 voting residents of the right to vote unanimously endorsed by the "Hollywood," named after whom. That year under the two commands are: In addition to pharmacies in other stores outside the prohibition, and no amount of driving in the streets more than 200 cattle. 1904
A new so-called Hollywood Avenue streetcar opened, so that between the Hollywood and Los Angeles round-trip time significantly shortened. In 1910, Hollywood residents voted to join the Los Angeles. The reason is so that they can be in Los Angeles drinking water and access to adequate drainage facilities.
In 1907, director Francis Burgess led his crew arrived in Los Angeles, filming "Count of Monte Cristo." They found that, where beautiful natural scenery, plenty of light and suitable climate is the natural place for filming. The early 1910s, director David Griffith Biograph company was sent to the West Coast to make a film, he took Lillian Gish, Mary-bi g-fu and other actors came to Los Angeles. They were then looking for a new site, so proceed north, came a warm small town, and that is Hollywood. Biograph company found here in good condition
So back to New York before they filmed several movies. Graally many people in the instry know that invaluable piece of land, to the increasing number of Hollywood movie crew, the U.S. film instry moved to Hollywood's big movement started, Hollywood movies have to be forward.
October 1911, a group from New Jersey to film-makers on the ground that under the leadership of the photographer came to a small Inn called Bu Lang, they will rent the inn converted into a studio look. In this way, they created Hollywood's first film studio - Ernest Pictures.
Since then, many film companies settled in Hollywood, the famous film companies: MGM (Metro Goldwyn Mayer, called MGM), Paramount Pictures (Paramount Pictures, Inc.), Twentieth Century Fox (20th Century Fox), Warner Bros. (Warner Brothers), RKO (Radio Keith Orpheum, referred to as RKO), Universal (Universal), United Artists Corporation (United Artists), Columbia Pictures (Columbia Pictures).

【中文】
關於美國電影
長期以來，美國只把電影看作是娛樂手段，把好萊塢當成生產故事和幻想的工廠，因此首先注意影片的商業價值。但是，70年代前後，美國電影學術研究有了很大的發展。1967年，在華盛頓和洛杉磯兩地成立了美國電影研究院（AFI）。電影資料館遍布全美，其中重要的有紐約現代藝術博物館、羅切斯特的伊斯曼電影數據館、華盛頓國會圖書館、伯克利太平洋電影資料館等。8大影片公司於60年代先後解體或轉產之後，影片和檔案大量捐贈給上述資料館和各大學的電影研究中心，對研究本國電影傳統、保護本國電影文物起著很大作用。

二十世紀的好萊塢：到1900年，好萊塢已經有一間郵局、一張報紙、一座旅館和兩個市場，其居民數為500人。10萬人口的洛杉磯位於市東11公里處。在好萊塢和洛杉磯間只有一條單軌的有軌電車。1902年，今天著名的好萊塢酒店的第一部分開業。1903年，此地升格為市，參加投票的177位有選舉權的居民一致贊同以「好萊塢」為之命名。當年下的兩條命令是：除葯店外其他商店禁酒，及不準在街上驅趕數量多於200的牛群。1904年，一條新的被稱為好萊塢大街的有軌電車開業，使好萊塢與洛杉磯間的往返時間大大縮短。1910年，好萊塢的居民投票決定加入洛杉磯。原因是這樣他們可以通過洛杉磯取得足夠的飲水和獲得排水設施。
1907年，導演弗朗西斯·伯格斯帶領他的攝制組來到洛杉磯，拍攝《基督山伯爵》。他們發現，這里明媚的自然風光、充足的光線和適宜的氣候是拍攝電影的天然場所。1910年代初，導演大衛·格里菲斯被Biograph公司派到西海岸來拍電影，他帶著麗蓮·吉許、瑪麗·璧克馥等演員來到了洛杉磯。他們後來想尋找一塊新的地盤，於是向北出發，來到了一個熱情的小鎮，那就是好萊塢。Biograph公司發現此地條件不錯，於是在回紐約前又陸續拍了好幾部電影。漸漸許多業內人士都知道了這塊寶地，到好萊塢的電影劇組越來越多，美國電影業移師好萊塢的大轉移開始，好萊塢向成為電影之都邁進。
1911年10月，一批從新澤西來的電影工作者在當地以為攝影師的帶領下，來到一家叫布朗杜的小客棧，他們將租到的客棧改裝成一家電影公司的樣子。這樣，他們創建了好萊塢的第一家電影製片廠——內斯特影片公司。
從那以後，許多電影公司在好萊塢落戶，著名的電影公司有：米高梅電影公司（Metro Goldwyn Mayer，簡稱MGM）、派拉蒙影業公司（Paramount Pictures, Inc.）、二十世紀福克斯公司（20th Century Fox）、華納兄弟公司（Warner Brothers）、雷電華公司（Radio Keith Orpheum，簡稱RKO）、環球公司（Universal）、聯美公司（United Artists）、哥倫比亞影業公司（Columbia Pictures）。

⑵ 美國電影的特點有什麼啊

1、個人主義是美國價值觀中的核心組成部分，它重視個人成就、崇拜個人奮斗，講究個人價值最大程度的實現。

美國電影是灌輸個人主義的主要工具，從《蜘蛛俠》、《超人》再到《2012》，「救世主們」一次次讓美國扮演拯救世界的角色，英雄來到地球是「為了美國式的真理和正義」，讓觀眾在不知不覺中認同美國具有拯救並主導世界強權地位的天然能力。

2、美國電影很注重鏡頭和敘述場景的精雕細琢，自由女神像、星條旗、曼哈頓街道都是時常出現的鏡頭。

無論是現代科技製作出來的震撼鏡頭，還是藝術浪漫的日常生活場景的展示，都會激起一部分觀眾對美國的嚮往。

3、美國電影善於將精神內核和商業外殼有機結合，價值觀傾向被包裝在具有強烈視聽效果的表層結構之下。

美國影視產業不僅為美國帶來巨額經濟利益，帶動了美國文化產業的發展，同時推銷了美國的價值理念，營造了一個有利於國家形象傳播的「美國文化群落和文化生態」。

(2)美國電影文化簡介英文擴展閱讀：

美國電影傳播策略：

1、打造產業化的運作模式。

早在20世紀20年代,美國電影便形成企業生產模式,即按照現代企業制度進行商業化運作管理,實現生產製作與傳播發行的緊密集合。

電影製作、發行和放映,條塊分割,分工合作,責任明確。電影製片方、發行方與技術團隊等通常是長期的固定合作夥伴,利益緊密相關。同時,美國電影的蓬勃發展和融資渠道廣、資金雄厚密不可分。

2、實施全媒體的宣傳營銷。

在傳統媒體時代,美國電影按報紙、廣播、電視的視聽說特點,三管齊下,打造全方位的電影傳播路線。在新媒體時代,美國電影充分利用網路的互動性,使新舊媒體平台相配合,實施全媒體的營銷策略

⑶ 美國文化介紹（英文版）

American culture
The main content of American culture is the emphasize on indivials' value, the pursue of democracy and freedom, the promotion of deploitation(開拓, 經營) and competition and the need of realistic and practicality. Its core is indivialism: self first, personal need first, pursue of indivial benefit and enjoyment, emphasize on achieving indivial value by self-strive and self-design. This type of intentionally build up of personality and pursue customized indivialism has its pros and cons, it gives incentives to people and make them exert on their potential and wisdom and as a result accelerate the development of the entire race and nation; on the other hand it is difficult to keep good relationship among people if everyone is egocentric thus make the entire society lack of unity.

egocentric: .自我中心的, 利己主義的

American citizens emphasize on achievements and respect heroes. They have great sense in their hearts to praise success and heroes. Personal achievements are one of those with the highest value in Americans mind. Americans have very strong senses of success. Success is the pursuit of most Americans, it is their attractive future and the incentives for moving forward. They believe that one's personal value is equivalent to his achievements in his career. Some high achievers in their career such as entrepreneurs, scientists, artists and all kinds of super starts became modern heroes. The process and result of how they strived have become the frame of reference of social culture value and the real life text book for parents to ecate their children.

incentive: Serving to ince or motivate:

American society has great movements within itself. These movements are shown in two aspects: movements amongst locations and movements inside the society. The United States are relatively more open and have more freedom. Developed transport and the tradition of adventure and sporty makes a lot of American migrate from countryside to cities, from downtown to uptown; and from north to the southern sunny land, from one city to another. Unlike European countries, the social classes in America is not so stable. Further more, with the advocation of public ecation, movements upwards along the social ladder have become possible. Many people living in the states, no matter whether they are Native American or immigrants from overseas, have the same dream of changing their social class and make their lifetime dream come true through their own efforts. This is what they often called "American dream".

advocation：(=advocacy)擁護；支持

美國文化的主要內容是強調個人價值，追求民主自由，崇尚開拓和競爭，講求理性和實用，其核心是個人中心主義：個人至上、私慾至上、追求個人利益和個人享受，強調通過個人奮斗、個人自我設計，追求個人價值的最終實現。這種刻意塑造自我，追求個性化的個人主義有其積極的一面，也有消極的一面。它調動了個人的積極性，使許多人的智慧和潛力得以充分發揮，從而促進整個民族與國家的振興和發展。然而，人人以我為中心，人際關系就難以融洽，整個社會也會缺乏凝聚力。

美國公眾注重成就，仰慕英雄，有深厚的成就崇拜和英雄崇拜的心理積淀。個人成就是所有美國人價值觀中評價最高的價值之一。美國人有很強的成就(或成功)意識。成功是所有美國人的追求，是誘人的前景，前進的動力。他們堅信，一個人的價值就等於他在事業上的成就。一些事業有成的企業家、科學家、藝術家和各類明星，成了新時代的英雄。他們個人奮斗的過程和結果，成了社會文化價值取向的參照系，父母教育子女的活教材。

美國是流動性很大的社會。這種流動體現在兩個方面：地域性流動和社會性流動。美國相對的開放自由、發達的交通和冒險好動的傳統使許多美國人從鄉村流到城市，又從市中心流向郊區；從北方流到南方陽光地帶，從一個城市流到另一個城市。美國社會階級不像歐洲國家那樣固定，加上公共教育的普及，使沿著社會階梯向上流動成為可能。許多生活在美國的人，無論是土生土長的美國人，還是漂洋過海來到美國的外國移民，都有一個夢，即通過自己的努力，改變自己的社會地位，實現自己的人生夢想，這就是人們常津津樂道的「美國夢」。

⑷ 外國電影英文簡介

阿凡達In A.D. 2154,[8] the story』s protagonist, Jake Sully (Sam Worthington), is a former U.S. Marine who was wounded and paralyzed from the waist down in combat on Earth. Jake is selected to participate in the Avatar program, which will enable him to walk. Jake travels to Pandora. This world is a lush and sentient-inhabited jungle-covered satellite of Polyphemus, one of three gas giants that orbit Alpha Centauri A,[8] 4.3 light years from Earth.

Pandora's biosphere is filled with incredible life forms, some beautiful, many terrifying. This world is also home to the Na』vi, a sentient humanoid race, who are considered primitive, yet are more physically capable than humans. Standing three meters tall (approximately 10 feet), with tails and sparkling blue skin, the Na』vi live in harmony with their unspoiled world. As humans encroach deeper into Pandora's forests in search of valuable minerals, the Na』vi unleash their formidable warrior abilities to defend their threatened existence.

Jake has unwittingly been recruited to become part of this encroachment. Since humans are unable to breathe the air on Pandora, they have created genetically-bred human-Na』vi hybrids known as Avatars. On Pandora, through his Avatar body, Jake will be able to walk again. Sent deep into Pandora's jungles as a scout for the soldiers that will follow, Jake encounters many of Pandora's beauties and dangers. There he meets a young Na』vi female, Neytiri (Zoe Salda

⑸ 美國電影文化英文演講稿100詞，謝謝

Richards opened up the first fastfood restaurant,named Mcdonald's,beside a highway.In order to attract people passing by,they lifted up the golden neon signs,mainly selling out the hamburgers,milkshake,soda water and so on which are packed with paper bags.Due to it's convenient to carry with,those people that on the car can find the solution to eating,therefore,it's very popular with the Americans.Based on the instrial pipeline,a new kind of the fastfood came into being.With its appearance,a new lifestyle started to spread to the whole America,even affected the whole world later on.

⑹ 英文電影簡介(120~150詞,帶翻譯及電影名)

Kung Fu Panda is a 2008 American animated
comedy blockbuster. It was directed by John Stevenson and Mark Osborne and
proced by Melissa Cobb and star Jack Black as Po.
The film was proced by DreamWorks Animation's studio inGlendale,Californiaand distributed by Paramount Pictures. Set in ancientChina, the plot revolves around a bumbling pandaPo, who aspires to be a kung fu master.

《功夫熊貓》是一部2008年美國動畫片大片。它由、約翰·斯蒂文森和馬克·奧斯本導演，梅麗莎·科伯製片，明星傑克·布萊克飾演阿寶（即熊貓）。這部電影是由加利福尼亞的格倫代爾夢工廠動畫工作室製作，派拉蒙電影公司發行。情節描述了中國古代一個笨手笨腳的熊貓阿寶渴望成為功夫大師（的事跡）。

⑺ 誰會寫好萊塢的英文介紹

"Hollywood" is a word often used to refer to the American film instry, e to many of the country's best-known film company was set up in this, so often and American movies and movie stars link up, Hollywood is world famous film center, held every year in the Academy Awards ceremony is the film world event.
Hollywood is not only the birthplace of the global fashion, is the world's music film instry center, has the world's top entertainment instry and luxury brands, to lead and represent the highest level in the world of fashion, such as DreamWorks, Disney, twentieth Century Fawkes, Columbia Pictures Instries Inc, Sony Corp, Universal Studios, WB (Warner Bros.) and paramount the film giants like RCAJ Interscope and IV E Records's top record companies have together in Hollywood areas, fashion and technology here contain each other, nature is not artificial, with profound connotation and majestic fashion technology support, has been imitated all over the world.
「好萊塢」一詞往往直接用來指美國的電影工業，由於美國許多著名電影公司設立於此，故經常被與美國電影和影星聯系起來，好萊塢是世界聞名的電影中心，每年在此舉辦的奧斯卡頒獎典禮則是世界電影的盛會。
好萊塢不僅是全球時尚的發源地，也是全球音樂電影產業的中心地帶，擁有著世界頂級的娛樂產業和奢侈品牌，引領並代表著全球時尚的最高水平，比如夢工廠、迪士尼、20世紀福克斯、哥倫比亞影業公司、索尼公司、環球影片公司、WB（華納兄弟）派拉蒙 等等這些電影巨頭，還有像RCAJⅣE Interscope Records這樣的頂級唱片公司都匯集在好萊塢的范疇之內，這里的時尚與科技互相牽制發展，自然是不造作的，擁有著深厚的時尚底蘊和雄壯的科技做支持，一直被全球各地爭相模仿。

⑻ 關於美國電影文化的 外文文獻

摘自基維網路，因為無法貼出網頁，你自己去搜索電影的詞條好了。

下面一個開頭介紹：

History
Main article: History of film

A clip from the Charlie Chaplin silent film, The Bond (1918)Preceding film by thousands of years, plays and dances had elements common to film: scripts, sets, costumes, proction, direction, actors, audiences, storyboards, and scores. Much terminology later used in film theory and criticism applied, such as mise en scene (roughly, the entire visual picture at any one time). Moving visual and aural images were not recorded for replaying as in film.

Near the year 1600, the camera obscura was perfected by della Porta. Light is inverted through a small hole or lens from outside, and projected onto a surface or screen, creating a moving image, but it is not preserved in a recording.

In the 1860s, mechanisms for procing two-dimensional drawings in motion were demonstrated with devices such as the zoetrope, mutoscope and praxinoscope. These machines were outgrowths of simple optical devices (such as magic lanterns) and would display sequences of still pictures at sufficient speed for the images on the pictures to appear to be moving, a phenomenon called persistence of vision. Naturally the images needed to be carefully designed to achieve the desired effect, and the underlying principle became the basis for the development of film animation.

With the development of celluloid film for still photography, it became possible to directly capture objects in motion in real time. An 1878 experiment by Eadweard Muybridge in the United States using 24 cameras proced a series of stereoscopic images of a galloping horse, arguably the first "motion picture," though it was not called by this name. This technology required a person to look into a viewing machine to see the pictures which were separate paper prints attached to a drum turned by a handcrank. The pictures were shown at a variable speed of about 5 to 10 pictures per second, depending on how rapidly the crank was turned. Commercial versions of these machines were coin operated.

⑼ 給我經典歐美影片的英文簡介附中文的

電影
《飄》
【簡介】
這部電影的經典地位已經無可動搖。無數獎項，無數排行榜的第一名，半個世紀以來它的觀眾達到3億，這個看似俗套的愛情故事究竟有何魅力？百聞不如一見。
本片根據美國女作家瑪格麗特·米契爾的長篇暢銷小說《飄》改編而成，在1939年第十二屆奧斯卡獎中一舉奪得八項金像獎，轟動美國影壇，這部耗資巨大、場影豪華、戰爭場面宏大逼真的歷史巨片，以它令人稱道的藝術成就為美國電影史上一部經典作品，令人百看不厭。

劇情簡介：
影片以美國南北戰爭為背景，描寫了南方兩個庄園的興衰歷程以及幾個人物之間的愛情波折。美麗任性的庄園主之女郝思嘉小姐，高傲自信、青春奪人。在一次酒會上贏得了青年浪子白瑞德的青睞。而郝思嘉的心卻為另一位庄園公子衛希禮所佔據，衛與表妹媚蘭情意相投，已結連理。戰爭的爆發使郝思嘉二度成為寡婦並最終與白瑞德結合，但對衛希禮的愛之夢卻依然沒有破滅，直至唯一愛女騎馬身亡，白瑞德在絕望中離她而去，這位美國南方姑娘在歷經戰爭和生活磨難後，才終於明白了自己的真正所愛……
英文簡短劇情：
Scarlett
is
a
woman
who
can
deal
with
a
nation
at
war,
Atlanta
burning,
the
Union
Army
carrying
off
everything
from
her
beloved
Tara,
the
carpetbaggers
who
arrive
after
the
war.
Scarlett
is
beautiful.
She
has
vitality.
But
Ashley,
the
man
she
has
wanted
for
so
long,
is
going
to
marry
his
placid
cousin,
Melanie.
Mammy
warns
Scarlett
to
behave
herself
at
the
party
at
Twelve
Oaks.
There
is
a
new
man
there
that
day,
the
day
the
Civil
War
begins.
Rhett
Butler.
Scarlett
does
not
know
he
is
in
the
room
when
she
pleads
with
Ashley
to
choose
her
instead
of
Melanie.
影片花絮：
1,400
actresses
were
interviewed
for
the
part
of
Scarlett
O'Hara.
400
were
asked
to
do
readings.
Bette
Davis
turned
down
the
role
of
Scarlett
O'Hara,
thinking
that
her
co-star
would
be
'Flynn,
Errol'
,
with
whom
she
refused
to
work.
When
filming
began,
the
part
of
Scarlett
O'Hara
had
not
yet
been
cast.
Vivien
Leigh
was
introced
to
procer
David
O.
Selznick
by
his
brother
Myron
Selznick
ring
filming.
(The
actor
in
the
long
shots
ring
the
fire
scenes
is
a
double.)
Leigh
wanted
the
role
so
much
that
she
read
the
novel
and
several
volumes
on
the
Civil
War.

⑽ 《阿甘正傳》中的美國文化，我要與之相關的英文資料

歷史敘事與美國文化

HISTORICAL NARRATIVES envelop us everywhere--at home, at church, at the movies; in the buildings we inhabit, the parks we visit, the stamps we lick; in the days we take off from work, the newspapers we read, and the six-o'clock news we receive from Tom Brokaw, Peter Jennings, and Dan Rather. By the time young people reach their eighteenth birthday in our culture, they possess a rich narrative of origins--how the United States came into being, the roots of the race issue that divides American society, something about Pilgrims, colonists, and settlers. In terms of impact and influence, no algebra or French teacher can compete with such famous history teachers as Steven Spielberg or Oliver Stone, whose devoted students number in multiples of millions.

Each of us grows up in a home with a distinct history and a distinct perspective on the meaning of larger historical events. Our parents' stories shape our historical consciousness, as do the stories of the ethnic, racial, and religious groups that number us as members. We attend churches, bs, and neighborhood associations that further mold our collective and indivial historical selves. We visit museums. We travel to national landmarks in the summer. We camp out in front of the TV and absorb, often unknowingly, an unending barrage of historical images. By the time children have celebrated a decade of Thanksgivings and Martin Luther King Days, they are already seasoned students of American culture and history.

But the notion that all these sources form a coherent whole mocks the complexity of social life. Historical consciousness does not emanate like neat concentric circles from the indivial to the family to the nation and to the world. Lessons learned at home contravene those learned at school. What we hear at school conflicts with what we hear at church or synagogue--if not in the pews then certainly in the bathrooms. If we pay attention to the lyrics of rap music or tune our dials to Rush Limbaugh or Howard Stern, we confront more disjunctures. To make historical sense, we must navigate the shoals of the competing narratives that vie for our allegiance.

這篇寫的不錯：
http://xuekun.blog.guxiang.com/article/2007/200762394550.shtml