英文老師電影劇情介紹

A. 窈窕淑女電影的英文劇情介紹（120詞內）

The story of the lower class flower girl transformed into an elegant lady by the middle class linguistics professor.

下層階級的賣花女被中產階層語言學教授改造成優雅貴婦的故事。

Eliza Doolittle, a flower girl, is pretty and smart, but she comes from a poor family.

賣花女伊莉莎·杜利特爾，長得眉清目秀，聰明伶俐，但出身寒微，家境貧寒。

Eliza's vulgar accent has attracted the attention of linguist Professor Higgins. He is magnanimous and has no malice at all, but like a child, he has no regard for other people's feelings and trains Eliza strictly.

Although Higgins's attitude is irritable, but it is imperceptible, the two people love each other for a long time.

雖然希金斯態度暴躁，然而卻是潛移默化，二人日久生情。

人物介紹：

1、伊莉莎·杜利特爾

演員奧黛麗·赫本

眉清目秀，聰明伶俐，但出身寒微，家境貧寒，每天到街頭叫賣鮮花，賺點錢養活自己補貼父親。教授的出現改變了她的生活軌跡，但他粗暴的言行讓她失望和懷疑未來，不被理解的傷心之下，憤然離開了教授。

2、希金斯教授

演員雷克斯·哈里森

極度自戀的語言學家，被伊莉莎·杜利特爾的聲音吸引，和朋友的打賭只要經過他的訓練，像伊麗莎這樣的賣花女也可以被當成貴夫人。他胸懷坦盪、絲毫不懷任何惡意，但又像孩子一樣，毫不顧及他人的感情，對伊莉莎嚴加訓練。

B. 推薦關於 優秀的英語老師 的英文電影，或者和這有關的。

強烈推薦《蒙娜麗莎的微笑》！大明星：茱莉亞羅伯茨啊~~簡介：以大學校園、師生互動關系為劇情主軸的《蒙娜麗莎的微笑》，被好萊塢媒體拿來與1989年羅賓·威廉斯主演的溫馨教育片《死亡詩社》相比，被喻為"女性版的死亡詩社"。《死亡詩社》中主人公基丁在體制和教條下由育人者成為放逐者，成為學生發現並珍視內心夢想的領航員。片中的女主角凱瑟琳·沃特森也一定會把她的這群學生領到各自的彼岸。我們每個人都經歷過那個年代，我們在自我的理想和現實中徘徊，不知道如何把握這抉擇，不知道應該偏向哪方，慶幸的是在這群衛斯里學院的學生中，有這么一個老師，能幫助他們找到自我，找到自我的價值。

C. 老師讓我們用英文介紹一部電影，你覺得該如何介紹找什麼樣的電影呢

泰坦尼克號：

From
friend
to
love,
although
only
a
few
days
time,
Rose
and
Jack
have
been unable to separate. In the bedroom, Rose put on a "Haiyangxin,"
drawn by Jack that she will never forget the piece of the portrait. Rose
decided to ignore the pressure of family and etiquette in the Titanic
docked
and
Jack
live
together,
happiness
seems
just
minutes
away
from
the
couple.

White Star Line Manager Bruce Ismay Titanic created to make the
fastest Atlantic crossing record, regardless of the potential threat to
the tip of Captain Smith suggested to improve boat speed. 14 at night,
unusually calm sea, the Titanic is still full speed. Lookout found
immediately
after
the
tip
in
front
of
the
cockpit
and
informed
the
officer,
but the inertia was too late to avoid the great vessels, the boat is the
tip
of
the
right
split,
six
compartments
flooded.
Known
as
the
unsinkable
Titanic sank in two hours. Only enough lifeboats on board at a time when
half the passengers on board panicked.

Unexpectedly,
when
Jack
Hawley
been
planted
in
the
name
of
the
theft
of diamonds framed and kept in the lower cabin. Rose know the truth with
the crowd on deck with the waiting lifeboat, but she eventually believe
Jack is innocent. Rose, desperate to return to the empty cabin to find
Jack, and sent for rescue in a pinch ax rescued him. They came on deck,
Rose
persuaded
the
Jack
on
the
lifeboat.
Lifeboat
slowly
down,
Rose
trance
when
she
gave
up
perhaps
the
last
chance
to
jump
back
to
the
Titanic,
the
couple hugged each other tightly.

"Dream Boat" began to slowly sink the Titanic, the tragedy began to
be staged. The dark ocean and the sky together into a ruthless and
desperate passengers swallowed. Jack Rose went with the stern, climbed
the railings (that is, they love the place to start) to the end, until
the Titanic sank. Two full after struggling a huge whirlpool, Jack will
push a piece of floating wood Rose, himself soaked in cold water.

Several
hours
later,
rescue
boats
rescued
the
dying
Rose
return,
but
this time Jack had
been frozen
Ice
ruthless swallowed. Jack
Rose to keep
the promise, the courage to live.

Eighty-four
years
later,
Rose
went
to
the
place
where
the
Titanic
sank,
the "Haiyangxin" into the sea, to tell Jack soul in heaven ... ...

中文：

為了尋找
1912
年在大西洋沉沒的泰坦尼克號和船上的珍貴財寶－價值連城
的「海洋之心」，
尋寶探險家布洛克從沉船上打撈起一個銹跡斑斑的保險櫃，
不
料其中只有一幅保存完好的素描－一位佩戴著鑽石項鏈的年輕女子。
這則電視新
聞引起了一位百歲老婦人的注意
,
老人激動不已，隨即乘直升飛機趕到布洛克的
打撈船上。原來她名叫羅絲道森，正是畫像上的女子。

看著畫像，往事一幕幕重新浮現在老人的眼前：
1912
年
4
月
12
日，准備首
航的泰坦尼克號停泊在港口，碼頭上人山人海，爭相目睹人類有史以來最龐大、
最豪華的輪船。
羅絲，
一位美麗漂亮而又不乏氣質的貴族小姐與她的母親及未婚

夫－鋼鐵大王之子卡爾霍利一同登上了頭等艙。
與此同時，
影片的另一位主人公
－年輕的流浪畫家傑克道森靠賭博幸運地贏到了三等艙的船票，
高喊著「我們是
世界上最幸運...」的他在最後一刻登上了巨輪。泰坦尼克號啟航了，早春的大
西洋上風和日麗，碧波萬里，傑克和他的夥伴站在船頭眺望前方，高聲歡呼，興
奮不已，彷彿此時世界已屬於他們。

羅絲在上層社會的交際圈中生活，
早已厭倦了貴族們的無聊談話，
感覺自己
無異於籠中之鳥，
她愁眉不展地來到甲板上眺望遠方，
排遣愁情。
傑克一看到羅
絲，就被她的氣質所深深吸引。夜幕降臨，又一場燈紅酒綠之後，羅絲對未來和
婚姻感到萬分無奈；
她沖向甲板，
試圖跳入大海結束一生。
傑克及時發現並且在
關鍵時刻以自己的真誠和獨到的幽默說服了羅絲。
盡管卡爾很不情願，
但為答謝
傑克的救妻之恩，
他只好邀請傑克到頭等艙里進餐。
卡爾本想借機寒磣傑克一番，
沒想到傑克在餐桌前的坦誠之言竟博得滿堂喝彩。
傑克和羅絲兩人從此相識並開
始了解對方，羅絲向傑克吐露心中郁悶：
"
我覺得這一生不外如此，就象已經活
了一輩子似的。
無數的宴會、
舞會、
遊艇賽、
馬球賽，
能接觸到的都是思想狹隘、
有口無心的人。我感覺就象站在懸崖邊，沒人拉我回來，沒人關心，甚至無人理
會。
」在傑克的開導和陪伴下，
羅絲找回了失去已久的快樂，
燦爛的笑容終於重
新洋溢在她的臉龐。

羅絲的未婚夫卡爾發現了傑克和羅絲的來往之後，
心中十分不快，
他送給羅
絲一條價值連城的鑽石項鏈「海洋之心」，
並對她表白了自己的心跡意圖博得羅
絲的歡心。
然而在羅絲的眼裡，
卡爾只是一個十足的勢利小人，
她從心底里不願
嫁給他。
可是在母親與未婚夫的壓力之下，
羅絲不得不有意迴避傑克的感情，
可
正因為這樣羅絲才意識到自己已經深深的愛上了傑克。

從相知到相愛，
雖然只是短短幾天時間，
羅絲和傑克已經無法分開。
在卧室
中，
羅絲戴上了「海洋之心」，
由傑克繪出了那張令她永生難忘的畫像。
羅絲決
定無視家庭和禮數的壓力在泰坦尼克號靠岸後與傑克一起生活，
幸福似乎距離這
對情侶僅咫尺之遙。

白星航運公司經理布魯斯伊斯梅為了讓泰坦尼克號創造橫跨大西洋的最快
紀錄，不顧潛在的冰山威脅暗示船長史密斯提高船速。
14
日夜晚，海面出奇的
平靜，
泰坦尼克號仍然全速行駛。
瞭望台發現正前方的冰山後立刻通知了駕駛艙
和大副，
可是慣性極大的輪船已來不及躲避
,
船身右側被冰山割裂，
六個艙室進
水。
號稱永不沉沒的泰坦尼克號將在兩小時內沉沒。
而此時船上的救生艇只夠一
半乘客使用，船上陷入一片恐慌。

不料，
這時傑克卻被霍利以偷竊鑽石之名栽贓陷害，
並被關在下層船艙。
不
明真相的羅絲隨眾人一起在甲板上等候救生艇，可她終究還是相信傑克是無辜
的。
羅絲不顧一切回到空無一人的船艙尋找傑克，
並在緊要關頭找來救生斧救出
他。兩人來到甲板，羅絲在傑克的勸說下上了救生艇。救生艇徐徐放下，羅絲神
情恍惚，
突然她放棄了也許是最後的逃生機會跳回泰坦尼克號，
這對情侶緊緊地
擁抱在一起。

「夢幻之船」泰坦尼克號開始緩緩下沉，
一幕悲劇開始上演。
漆黑的海洋和
天空連成一片，
無情的吞噬著絕望的乘客。
傑克帶著羅絲跑到船尾，
爬上欄桿
（也
就是他們愛情開始的地方）
堅持到最後，
直到泰坦尼克號沉沒。
兩人全力掙扎出
巨大的漩渦之後，傑克將羅絲推上一塊漂浮木板，自己卻浸泡在冰冷的海水中。

幾個小時之後，
救援船返回救起了奄奄一息的羅絲，
而此時早已凍僵的傑克
卻被冰海無情的吞沒。羅絲信守對傑克許下的諾言，勇敢地活著。

D. 美國電影熱血教師內容梗概

劇情介紹

【簡介】

RONCLARK從北卡羅萊納前往紐約大都市一所中學開始了他新的教師生涯。他年輕充滿熱情富有創造力。他運用獨特的教學規則和革新式的教學方法教育每個調皮的小搗蛋，為家境困難想要念書的女孩打通通往課堂的道路，讓有著藝術天賦的男孩得以發揮特長。即使剛從肺炎中解脫出來，CLARK馬上投入到他的調皮學生當中。

一個帶著金絲邊眼鏡，領帶襯衫，褐色頭發的男人。可眼睛裡卻是熱力四射的光芒，記得GTO中的鬼冢英吉嗎？沒錯，RON和那個自稱要成為最偉大的教師的小混混從事著同樣的職業——老師。沒有鬼冢的狂野和不羈，RON有的是熱情和思想還有成熟男人特有的溫柔。

學校中的題材永遠挖不完，我們知道中國的教育精髓，我們看過鬼冢的日式狂放教育，但是我們沒有見過美國學校中如此熱血的CLARK，年輕的學生有著各式各樣煩惱和天賦，尖銳叛逆，在美國這個倡導自由的國家裡CLARK和學生究竟碰撞出怎樣的火花？何況出演主角RON的演員可是在Friend和TheWestWing的MatthewPerry哦。

本片根據真實故事改編。羅恩·克拉克（RonClark）在紐約哈萊姆學校教學取得巨大成功，28歲成為全美優秀教師。

E. 英語電影簡介 急！！！！！！！！！！！！！謝謝 懸賞分巨多

KuangFu Panda is an interesting movie.First, Po is a big panda,he is very fat,but he has his own dream.Po want's to be a Great master,to save people in bad life by kuangfu.The Shifu teachs him how to fight,and make him to save the world.At last,He beat Tai Lung.Po had many friends, Monkey,Master Viper,Master Tigress,Master Mantis,Master Crane......I thought he is a great panda.He is a hero!I want to be the 2nd Po,to be a hero!

喜劇動物片 101真狗

my personal favorite "101D" medium is Disney's "101 Dalmatians: the Series". It combines many themes of the existing material (Dodie Smith book, 1961 and 1996 movies). But still does its own things, too.

Our main pups include brave Lucky, who gets a strong personality mirroring his character in the book, lovable Rolly, the gourmand of the pups, and sweet little Cadpig, who is the true runt of the litter. Also there is Spot the chicken, who longs to be a dog. I find them all extremely amiable and enjoyable to watch. They are usually foiling Cruella's schemes for their land, or outwitting Lt. Pug (I'll get to him later), or sneaking into Grutely, or...just having fun, making a very likable show.

動畫喜劇 海底總動員

Somewhere, under the sea, weak-finned clown fish Nemo (Alexander Gould) lives with his fretful father, Marlin (Albert Brooks). Smothered by pop's paranoia, he ventures away from the reef, but his dad's dread is justified when a passing diver whisks him away.
Taken to a tank in a Sydney dentists, Nemo meets Gill (Willem Dafoe) and co - friendly fish who dream of escaping to the ocean. Meanwhile, Marlin bumps into a blue tang named Dory (Ellen DeGeneres), and sets out to save his son...
The splendour of natural history hit The Blue Planet is matched by the wit of the script and stars. Barry Humphries has a terrific cameo as a great white shark who's sworn off killing (Remember, fish are friends, not food!), while DeGeneres provides perfect timing and tone as Dory, whose short-term memory loss is a gag that never stops running

這個網站有很多教父的評論，都是英文的，你去看看吧
http://www.imdb.com/title/tt0068646/或者
http://www.imdb.com/title/tt0068646/usercomments
給你個例子：
For me it isn't "the greatest ever", but it's still great, 24 April 2005

Author: Brandt Sponseller from New York City

Marlon Brando is Don Vito Corleone, head of perhaps the most powerful New York-area mafia family in the 1940s, in this well-respected film by director/writer Francis Ford Coppola. As the film begins, Vito is receiving "business" guests in his office at his home while his daughter Connie's (Talia Shire) wedding and reception are taking place. The epic plot takes place over many years, telling the story of Vito, his family--including Michael (Al Pacino), Santino (James Caan) and Tom Hagen (Robert Duvall), his associates, and their interactions with other mob syndicates.

The Godfather is commonly considered to be one of the "greatest films of all time". Even though I've given it a 10, I wouldn't put that same kind of exalted emphasis on it. I've given literally thousands of films 10s over the years, and for me, Godfather just barely made a 10. I think it has a number of flaws, but Coppola also has a knack for transcending the problems with some brilliant move or another. At any rate, it is definitely must-see viewing--even if it's only because it's so highly regarded--if you've not experienced the film yet. I think it's a good idea to attain cultural literacy, and films as popularly loved as The Godfather become necessary elements in achieving that literacy.

Shorn of its gangster trappings, The Godfather is sprawling and soap-operatic in tone. The sprawl is appropriate to its origins as a novel by Mario Puzo, who also co-wrote the screenplay with Coppola. There is a large cast of characters--maybe too large, as it can be difficult to keep track of just who everyone is. Even after you've watched the film a couple times you may find scenes where mobsters seem to spontaneously appear and you catch yourself saying, "Wait, who is that guy supposed to be again?" The soap opera angle can be a positive or negative depending on your tastes. I tend to not like soap-operatic stories, but of course Coppola put yummy gangster topping on this one to make it palatable for guys like me. At root, though, The Godfather is concerned with realistic depictions of a very dysfunctional family as they try to make it through life--including marriages, births, altery, spats between family members, tiffs with others in their community, and so on. My theory is that the soap opera angle accounts for much of the film's appeal. For me, it (and the slight lack of focus from the sprawl) accounts for much of the reason that I barely gave the film a 10.

But two things help the film transcend a lower score for me. Even though the gangster stuff has been far surpassed in graphic brutality in the intervening years, the dramatic context of the violence usually gives it tremendous impact. Films like Ichi the Killer (2001), which I just watched for the first time the night before watching The Godfather again, make the Godfather's brutality fit for Sesame Street in comparison. However, although Ichi's violence is effective, setting that knob to "11" doesn't make it better. Besides, Ichi is so over the top that it would make many Godfather fans want to hurl.

To the extent that Coppola and Puzo just focus on the extended Corleone family, they create tremendous depth in their relationships. The whole film can be looked at as a fascinating depiction of "oscillating" dynamics in the family, with the pole pairs being interacting/distancing, control/lack of control, benevolence/malevolence. Most character stances and actions are some combination of those ranges of characteristics, and everyone dances around the poles, so to speak, throughout the film. From this angle, even the attractive surface violence (well, attractive to us fans of that stuff in artworks) is mainly there for the purpose of pushing characters more to one pole or the other. There is an implication that underlying these mechanisms is some natural tendency towards achieving (a dynamic) equilibrium.

But there are more superficial stylistic factors that help push my score up to a 10, also. The most obvious, which everyone and their grandparents have mentioned, are the performances. It's tough to go wrong when you have a cast including Al Pacino, Marlon Brando, Robert Duvall, James Caan, Diane Keaton, and so on. Another commonly mentioned element that I agree is fantastic and superbly integrated to create atmosphere is Nino Rota's score.

Less often mentioned is the consistently intriguing cinematography by Gordon Willis. Most of Willis' unusual shots in the film are so subtle as to be barely noticeable unless you're looking for them. The opening, for example, consists of a long (it lasts a few minutes) "zoom out" from Amerigo Bonasera (Salvatore Corsitto). The shot is beautifully lit--most of the frame is extremely dark, giving Bonasera a chiaroscuro effect (the opening is also unusual in that it's a long monologue from a minor character).

Willis and Coppola have a knack for placing their actors in the frame to create depth and interesting visual patterns. This is done so slyly that at first blush you wouldn't believe it's something they thought about, but if you keep this in mind while watching, you can see delightful visual paths that zigzag, wind to a focal point, and so on, all created by the confluence of actors and scenery in the frame.

If you haven't seen The Godfather before, the most important thing you can do before watching is to forget about all of the "greatest film of all time" hype. That's only likely to set up expectations that could never be met; more than likely you'll be disappointed. Just think of it as one of the better films from one of Hollywood's more admirable but relatively odder directors, featuring earlier performances from a very well known cast, and keep in mind that it's as much a "historical family saga" as a crime or gangster film.

F. 有個英文電影,是講一個男老師在紐約排名倒數第一的中學任教的經歷,最後他所帶的班

◎譯 名 熱血教師
◎片 名 The Ron Clark Story
◎年 代 2006
◎國 家 美國
◎類 別 劇情
◎語 言 英語
◎字 幕 中文
提供本片RayFile網盤下載，需要先安裝RaySource客戶端：
fs2you://LUhBTEZDRC5ta3Z8MzE4Njc4MDI0/

G. 我們英文老師要我們找一部英文電影 演當中某部分的（要有8分鍾）

我第一個想到的就是哈利波特， 眼從蜘蛛跑出來的那一段

H. 有一部講英語的電影，電影情節是說一個教舞蹈的老師。

電影《情舞師生》

I. 有一部英語電影，描述一個男孩和中學女老師之間真摯的愛情的，最終兩人黯然分手。有朋友知道此片的名字嗎

教室別戀 - Lust och fägring stor - (1995)

以師生戀為主題的異色文藝片，導演是著名的伯．威德伯格。時代背景是二次世界大戰的瑞典，高中生史帝原來生活無憂，直至英文老師薇拉出現，他的單純生活因而改觀。薇拉的丈夫是個絲襪推銷員，經常出差在外，回到家裡也只是喝酒聽音樂。被冷落的嬌妻遂從史帝的青春肉體上尋求慰藉，史帝沉淪在慾海中，對同齡女生麗莎的暗戀完全無動於衷，直至兄長在前線戰死的惡噩傳來，史帝才驚覺到現實的殘酷，決心結束這段畸戀。導演藉著這個啟蒙成長故事，檢討男女兩性的權力變化，片中女教師是代表權威的強者，男性只會懦弱地屈從，直至史帝重新追求智慧，才再次掌握了生活的主導權。