肖申克的救贖英文電影報告8000字

㈠ 電影《肖申克的救贖》主要講了什麼它告訴了我們什麼道理最好用英文+翻譯

美國影片《肖申克的救贖》我看了二遍。每一遍都讓我能有不同的感受。安迪一個兢兢業業的銀行家，因為被他人栽贓陷害被投入了肖申克監獄。他從走進這所監獄就抱著一個堅定的目標，我一定要走出去。他從黑人瑞德手中買來一把小錘子。當時就有人預言要用這把錘子越獄需要至少二百年的時間。可是現實讓這個預言整整提前了一百八十年，安迪用了二十年的時間克服人們難以想像的困難，鑿通了通往自由隧道。我們每個人都是被囚禁在這個世界裡面人，很多人為了生活痛苦掙扎，為了生活四處奔波。忙碌和單調的生活讓我們這些人身心疲憊。那我們用什麼方法來解放和放飛自由的心靈呢？
安迪獲得自由的通道是他身後的隧道，打開通往自由世界的鑰匙是他手中的錘子。那麼我們的身邊看不見的隧道是什麼呢？我們身邊的隧道有很多種，只是我們看不見罷了。許多人認為自己通往幸福的隧道有家庭，工作和事業等等。他們依賴的工具也是各種各樣的。而我的通往幸福生活的通道是「思想」。我認為一個人可以貧窮，可以富甲一方，但如果他沒有思想就會是一個碌碌無為得人，是一個行屍走肉的人，這樣的人在我們身邊已經不少了。安迪正是靠著他的思想和堅定意志才走出了肖申克，走向了自己自由的天空。行屍走肉般的人是形形色色的，上至帝王，下至販夫走卒。他們活得很累，因為他們沒有思想，整天算計的就是眼前的那麼點事情。北宋的林和靖居孤山二十年不履州城半步，他的高尚情操被後世所敬仰。而他的思想支持著他的信仰。上面例子不勝枚舉。那我手中的錘子又是什麼呢？我想應該是浩如煙海的典籍，書給了我知識，同時也告訴我完成個人理想的必經之徑。我憑借著這些前人給我的工具，讓我心靈在自由天空中趟樣。年輕的時候國家，學校和父母總是教育我要好好學習，報效國家。而這裡面全然沒有「我」半點影子。隨著年齡增長我慢慢發現「我」的存在。又過了幾十年我從一個身體力行儒家思想的人，慢慢悟出人生的「道」理。這個「道」是不可言明地，只能自己去體會自己的「道」。或許再過若干年我會接受「兼愛」的思想。我想到那個時候我一定更有境界的一個人。

㈡ 肖申克的救贖英文簡介

你有時間的話，應該自己看看，不然做什麼介紹？
這是劇情：
In 1947, banker Andy Dufresne (Tim Robbins) is convicted of murdering his wife and her lover, based on circumstantial evidence, and is sentenced to two consecutive life sentences at Shawshank State Penitentiary. Andy quickly befriendscontraband smuggler Ellis Boyd "Red" Redding (Morgan Freeman), an inmate serving a life sentence. Red procures a rock hammer for Andy, allowing him to create small stone chess pieces. He obtains a large poster of Rita Hayworth for Andy, followed in later years by images of Marilyn Monroe and Raquel Welch. Andy works in the prison laundry, but is regularly assaulted by "the Sisters" and their leader Bogs (Mark Rolston).
In 1949, Andy overhears the brutal chief guard Byron Hadley (Clancy Brown) complaining about taxes on a forthcoming inheritance, and informs him about a financial loophole. After another vicious assault by the Sisters nearly kills Andy, Bogs is beaten and crippled by Hadley. Bogs is sent to another prison and Andy is not attacked again. Later, under the pretense of a cell inspection, Warden Samuel Norton (Bob Gunton) meets with Andy and reassigns him to the prison library, to assist elderly inmate Brooks Hatlen (James Whitmore); a pretext for Andy to manage financial ties for the prison. His advice and expertise are soon sought by other guards at Shawshank and from nearby prisons. Andy begins writing weekly letters to the state government for funds to improve the decrepit library.
In 1954, Brooks is freed on parole, but unable to adjust to the outside world after 50 years in prison, he hangs himself. Andy receives a library donation that includes a recording of The Marriage of Figaro. He plays an excerpt over the public address system, resulting in him receiving solitary confinement. After his release, Andy explains that he holds onto hope as something that the prison cannot take from him, but Red dismisses the idea. In 1963, Norton begins exploiting prison labor for public works, undercutting the cost of skilled labor by skimming the profits and receiving kickbacks. He has Andy launder the money using the alias "Randall Stevens".
In 1965, Tommy Williams (Gil Bellows) is incarcerated for robbery. He joins Andy and Red's circle of friends, and Andy assists him in getting his GED. In 1966, after hearing the details of Andy's case, Tommy reveals that an inmate at another prison claimed responsibility for an identical murder, suggesting Andy's innocence. Andy approaches Norton with this information, but the warden refuses to listen. Norton places Andy in solitary confinement and has Tommy murdered by Hadley under the guise of an escape attempt. Andy refuses to continue with the scam, but Norton threatens to destroy the library and take away his protection and preferential treatment. After Andy is released from solitary he tells Red of his dream of living in Zihuatanejo, a Mexican Pacific coastal town. While Red shrugs it off as unrealistic, Andy instructs him, should he ever be freed, to visit a specific hayfield near Buxton to retrieve a package.
The next day at roll call, Andy's cell is empty. Enraged, Norton throws one of Andy's rocks at the poster of Raquel Welch which tears through, revealing a tunnel that Andy had g with his rock hammer over the previous two decades. The previous night, Andy escaped through the tunnel and the prison's sewage pipe with Norton's ledger, containing details of the money laundering. While guards search for him the following morning, Andy, posing as Randall Stevens, visits several banks to withdraw the laundered money. Finally, he sends the ledger and evidence of the corruption and murders at Shawshank to a local newspaper. The police arrive at Shawshank and take Hadley into custody, but Norton commits suicide to avoid arrest.
After serving 40 years Red receives parole. He struggles to adapt to life outside prison and fears he never will. Remembering his promise to Andy, he visits Buxton and finds a cache containing money and a letter, asking him to come to Zihuatanejo. Red violates his parole and travels to Fort Hancock, Texas to cross the border to Mexico, admitting he finally feels hope. On a beach in Zihuatanejo, he finds Andy, and the two friends are happily reunited.

㈢ 肖申克救贖觀後感英語

Today i saw a very shocking film ((Shawshank Redemption)), andy deeply by the strong conviction in the face of the cruel reality of the spirit is still harbor dreams, as well as superhuman intelligence and wisdom. Reid liked monologue of that sentence: "I had to remind myself that some birds can not be locked up in cages, and their feathers are too beautiful, and when they fly away, you will find them locked up is an appreciation evil. "Yes, that is andy. Sometimes reality is so cruel, bankers andy being wronged killed his wife and his lover. Had been tortured physically and mentally，Prison others were harassed and beaten, and even more painful in the wall's mental torture, as well as the tom know know the truth about the case can not reverse the verdict. But he is still so full of hope. . . . Workers in their fight for the beer, but also an opportunity to fight for their own ---- close to the governor to help him money. The last 20 years through the efforts of the hands of Reid with a buy from a small hammer to dig out of a prison outside the channel. So that it can not think of one. I think magic is more the spirit of andy appeal, he can always practice, he is encouraged by the people around, even for the time being that the spirit of freedom,As he put in the governor's Office of the plate to the music people listen to the same prison, and later released from prison so that the re-Reid to find a life of hope. . . There are even more amazing is the creative director ----- has escaped through a story has brought us so much inspiration and shock.

今天看了一部很震撼的電影((肖申克的救贖))，深深地被andy的堅定不移的信念、面對殘酷現實依然心懷 夢想的精神以及超人的聰明才智。很喜歡瑞德獨白的那句話：「我不得不提醒自己有些鳥是不能關在籠子里的，它們的羽毛太漂亮了，當它們飛走的時候，你會覺得把它們關起來欣賞是種罪惡。」是的說的就是andy.有時候現實就是那麼殘酷，銀行家andy被冤枉殺死了他的老婆及其情人。身心受盡折磨，被監獄里其他人的騷擾和毆打，而更痛苦的是在高牆里的精神折磨，以及知道tom知道自己的案件的真相卻不能翻案。但是他依然是那麼充滿希望。。。。為工友爭取啤酒，也為自己爭取到了機會----接近典獄長幫他洗黑錢。最後通過20年的努力用一把從瑞德手中買來的小錘子挖出一條通向獄外的通道。令誰也想不到。我覺得更神奇的是andy的精神號召力，他的做法總是能給他周圍的人一點鼓舞，哪怕是暫時的一點精神自由，像他在典獄長 的辦公室放音樂碟子給監獄的人聽一樣，以及後來讓出獄的瑞德重新找到生活的希望。。。

還有更神奇的是導演的創意-----竟然通過一個越獄的故事能帶給我們那麼多的啟示和震撼。

㈣ 肖申克的救贖觀後感英文

肖申克的救贖觀後感英文：

I have always heard that "The Shawshank Redemption" is a very good film, when I have watched it; I thought the film is very successful.

In Shawshank prison, there was a man called Andy. He was innocent .So he was always looking for opportunities to jail. He and Reed were good friends. One day, he asked Reed to give him a small hammer. In the night, he began to burrow in the wall, trying to escape from the prison.

After nineteen years, he finally escaped.Later, Reed was released from the prison, and they lived a life of freedom.

In the film, Andy was free finally in 19 years because of maintaining a persistent heart. Andy told us what the hope of life was. As what was said in the film: Everyone has their own God, if you have to give up yourself, who will save you!

This film gave me a lot of touch and enlightenment, in real life, everyone will encounter many setbacks, at this time, what should we do? We need to be looking for hope, overcome difficulties and continue to move forward. In conclusion: As long as there is hope, we should expand the bright wings, flying in the vast sky.

譯文

當我看過《肖申克的救贖》時，我總是聽說它是一部非常好的電影；我認為這部電影很成功。

肖申克監獄里有一個叫安迪的人，他是無辜的，他一直在尋找出獄的機會。他和里德是好朋友。一天，他讓里德給他一把小錘子。到了晚上，他開始在牆上挖洞，試圖逃離監獄。

十九年後，他終於逃脫了。後來，里德從監獄獲釋，他們過著自由的生活。

在影片中，安迪在19年後終於自由了，因為他保持了一顆堅毅的心。安迪告訴我們生命的希望是什麼。正如電影中所說：每個人都有自己的上帝，如果你不得不放棄自己，誰會拯救你！

這部電影給了我很多感觸和啟示，在現實生活中，每個人都會遇到很多挫折，在這個時候，我們該怎麼辦？我們需要尋找希望，克服困難，繼續前進。總結：只要有希望，我們就應該展開明亮的翅膀，在浩瀚的天空中飛翔。

㈤ 電影《肖申克的救贖》的英文觀後感

Atonement,是救贖之義。at one,指的是由一人所帶來的救贖，在基督教中指的是耶穌基督的犠牲，為人類帶來的救恩。而在肖申克的電影之中，主角最後的成功逃獄之前，為獄友帶來了各種恩惠，而他的逃獄也來自於多人的幫助，彼此為彼此在一群有罪之人聚集之地，成為了彼此的救贖。

事實上，主角Andy一開始是被陷害入獄的，所以救贖這個名詞，同時也帶有諷刺之義。無罪之人何來救贖。

㈥ 肖申克的救贖英文影評

肖申克為好萊塢救贖

好萊塢是不是總是以商業目的來製造事物或藝術？若要創造一件真實自然的事物，一個導演就必須以一絲不苟的態度來接近事物本生，這歸功於完美的過程。這樣一件容易令人退縮的任務，要求絕對卓越的藝術家，他必須擁有無可置疑的管理能力和對於電影藝術中每一個元素精確的敏感度，無論是在音樂、視覺、劇情和表演上。每一種元素都是同等重要的，不僅個體而言能夠保證成功，而且整體上來看，也要求和諧並成為一個整體。之所以如此，是因為這些都決定著藝術家的作品的命運。雖然Frank Darabont已經在他的業界內以他在編劇和導演方面已非常有名，但是，肖申克救贖卻仍是他的處女作。雖然他以身為編劇的主要負責人，但Darabont仍竭力創作了最為收到認可的個體解放的實例在好萊塢的歷史上。肖申克救贖確立了它自己的風格，否定了突變，激勵了情感，把一個有藝術性有影響力的新紀元重新帶回了好萊塢。

故事於一個年輕的銀行家的審判開始，Andy Dufrense，被所謂「充分的證據」指控，最終定罪為謀殺妻子和她的情人。在快速的審訊之後，Andy意識到他將在肖申克監獄服終身監禁，沒有任何的假釋的機會，於是，他假裝表面上仍存在於監獄中，但他的心已經飛出監獄。他的能力是他獲得身邊囚犯朋友們的信任，尤其是Ellis Redding。Ellis，也就是說是Red,因能夠給牢內的其他囚犯提供違禁物品而發現他本身的價值，而Andy的行為和無可置否的對希望的信念使得Red開始重新審視他自己，以及他身邊周圍的世界。Andy向Red和其他囚犯證明，肖申克監獄的大牆內是找不到他們這輩子自己的家的。

通過創作這部影片的基金會，一絲不苟而輪廓鮮明的劇本為這部影片的成功奠定了基礎。Frank用他對肖申克救贖同名小說《麗塔海爾沃斯和肖申克的救贖》的非凡改編，戰勝了自己。在這本小說中，史蒂芬金證實了他能夠打破他原有的寫作風格，而建立一種新的無與倫比的現代文學風格。雖然電影在多方面都映射的小說本身，但Darabont更加入了一些事物本身客觀存在的鏡頭，而小說中卻一筆帶過的，致使成為史上最為成功的小說翻拍成電影的典範。

P.S.沒有找到MP3。
個人翻譯，供參考。

㈦ 肖申克的救贖英語觀後感70詞左右

寫作思路：不要平鋪直敘地進行，要注意及時地、不斷地變化描寫的角度，使描寫更加具體，給讀者主體化之感。做到條理清楚、自然、明白，不雜亂，要傾注自己的思想感情。

This film is based on Stephen King's novella rita hayworth and The Shawshank Redemption. It is a simple story of hope, and it is noticeable by the interaction between the two protagonists.

這是根據斯蒂芬·金(非恐怖)的中篇小說《麗塔·海華絲和肖申克的救贖》改編的電影，是一個簡單的希望故事，由兩位主角的互動而變得引人注目。

Tim Robbins and Morgan Freeman have done a good job in making their characters real and attractive, and the way they work together is also very good.

蒂姆·羅賓斯和摩根·弗里曼在讓他們的角色變得真實和吸引人方面都做得很好，他們在一起工作的方式也很好。

The value of the whole proction is outstanding, but this is not a "fancy" movie. On the contrary, it insists on telling its own story, instead of resorting to flashy skills to attract the attention of the audience.

全程製作價值突出，但這不是一部「花里胡哨」的電影。相反，它堅持自己講述的故事，而不訴諸華而不實的技巧來吸引觀眾的注意力。

Although there is violence, some of which are extreme, it is necessary to show what kind of prison is, and it is certainly not without reason.

雖然有暴力，有些是極端的，但有必要表明監獄是什麼樣的地方，當然也不是沒有理由的。

The theme is hope, not despair, and violence is only the background of this message. A movie that feels good, in the end, people only hope that it will last for a few more minutes.

主題是希望，而不是絕望，暴力只是這一信息的背景。一部感覺不錯的電影，到頭來人們只希望它能再持續幾分鍾。

㈧ 肖申克的救贖影評英文100字左右

寫作思路：先寫肖申科坐牢的原因，再寫肖申科在監獄渴望自由，然後告訴我們人不能缺少希望。

was wrongfully convicted in court， Xiao Shenke prison． Andy every hour and moment not longing for freedom and hope， faith that he spent 29 years of time． When he escaped， hope and freedom of the distillation． ＂ I guess it comes down to a simple choice： get busy living or get busy dying．＂ this is Andy impresses me saying，＂ Hope is a good thing， maybe the best of things， and no good thing ever dies．＂ it tells us that important．

《肖申克的救贖》在影片中，杜弗雷在法庭上被冤枉定罪，肖申科坐牢。安迪每時每刻都不渴望自由和希望，堅信自己花了29年的時間。當他逃跑時，希望和自由得到升華。」我想這可以歸結為一個簡單的選擇：要麼忙著活，要麼忙著死。」這是安迪給我留下的印象：「希望是件好事，也許是最好的東西，好東西永遠不會死。」它告訴我們這一點很重要。

(8)肖申克的救贖英文電影報告8000字擴展閱讀

《肖申克的救贖》不是真實故事，是虛構作品。

《肖申克的救贖》的主題圍繞著「希望」兩個字，然而在闡述光明面的同時，卻藉由監獄的黑暗面及囚犯對於新生的渴望，來襯托這個充滿正面意義的主題。

故事背景是20個世紀30年代。故事中，年輕的銀行家安迪因為妻子和她的情人被殺而被判無期徒刑，由於監獄的腐敗，他在真相即將大白的情況下仍然得不到昭雪，反而在肖申克監獄飽受了各種精神上和肉體上的摧殘。

然而，安迪並沒有被多舛的命運毀掉，他經過20多年水滴石穿般地不懈挖掘，終於在一個雷雨交加的夜晚，從500碼長的污糞管道中爬出，重獲自由，在墨西哥海邊過上了自由人的生活。

㈨ 高分跪求肖申克救贖英文影評！

1，播放音樂
片中，瑞德曾這樣說道：「體制化是這樣一種東西，一開始你排斥它，後來你習慣它，直到最後你離不開它。想想看，我們的身體已經有多大一部分被體制化了？ 」
看看老布。重獲自由後，他失去了監獄安穩的生活和周圍犯人的尊重，又遲遲無法融入新的環境，只能選擇結束自己的生命。自殺前，他飽含深情的放飛了自己飼養多年的烏鴉，他的自由，也只能在高飛而去的鳥兒身上延續，因為，他已經被鯊堡高度體制化了。甚至瑞德，也若隱若現地走在體制化的邊緣。這，不能不說是一種悲哀。
安迪，只有他安迪，找到了對抗體制化的辦法，那就是始終不放棄對窗外自由的追求，哪怕這種追求是多麼的危險。為此，他付出了太多。當安迪將監獄喇叭放上《費加羅的婚禮》，安詳的半躺在在廣播室的椅子上，掩目微笑時，他得到了短暫的自由，雖然代價是一周的禁閉，但是，解除禁閉，他又微笑的走了出來。
安迪終於重獲自由，在那個雷雨交加的夜晚。他從污泥中艱難地站了起來，仰頭深深的呼吸——他一定聞到了自由的味道。那一刻，一道閃電劃破天空，籠罩他整整十九年的，那所有的冤屈和壓抑，全然釋放！
「上帝地審判比預料來得快！」這是典獄長辦公室牆上掛的聖經刺綉。他的審判，也來得比預料得快，但那卻不是上帝帶來的，而源自一個越獄犯人的舉報。

2，喝啤酒
至今記得，瑞德與安迪的一段關於希望的對白，並奉為經典。
安迪：你應該繼續吹(指口琴)就不會忘記了。
瑞德：忘記什麼？
安迪：忘記在這世界上，還有這用高牆柵欄圍起來的地方，還有你自己心裡的，他們拿不走、碰不到的東西，屬於你自己的東西。
瑞德：你指什麼？
安迪：希望！
瑞德：希望？聽我說一句老朋友，希望是很危險的，它會讓你發瘋，在這種地方，千萬不要有這種念頭。
顯然，瑞德已經認同了典獄長的話：把信仰交給上帝，把身體交給我。
但是，安迪卻答之以一個淡定的微笑。
無論是什麼，都關不住希望，一切皆因希望起，世間無數的拼搏、付出，以及百折不回，就正是為了內心的希望嗎？有了希望，肖申克監獄不過形同虛設，有了希望，一把小小的錘子便可以救贖生命、救贖自由，甚至救贖鯊堡（肖申克監獄）。有了希望，安迪便可在無盡的等待與提心吊膽中盡情享受每一個小小的樂趣，並將這樂趣傳播開來，將希望播種在每個人心裡。希望是關不住的，鎖不牢的，是有翅膀的鳥，是流動的空氣，是息息尚存的呼吸，是永遠無法遏制的，是任何黑暗都無法染指的。有了希望就有了一切，有了希望就一切皆有可能。
瑞德心中早已沒有了希望，那圖書館管理員老布，居然會對希望充滿恐懼，而安迪卻始終心懷希望，那怕 「用這樣的小錘挖洞，至少需要600年。」安迪最能打動人心的品質，恰恰是這種看似對眼前現實平和接受，而心中希望卻永不不磨滅的精神。
關於自由
一頭是系在小小鶴嘴鋤上的自由，這種自由的追求要面對頻繁的查房和重重的高牆；一頭是監獄里悠然自得地生活，這種生活看起來既不空洞又擁有尊重。安迪毫不憂郁的選擇了前者，那怕風險是那樣的大，哪怕安全僅僅來源於一張麗塔.海華絲的海報（海報後面就是安迪用錘子挖的洞）……
一個人能夠在十九年痛苦的牢獄生活里，不放棄對自由的嚮往，這是一種怎樣的精神力量？這其間又要付出多麼大的代價？當凶惡的獄警將安迪推向死亡的邊緣，他仍然面不改色，口若懸河。最後，他第一次在監獄里贏得了自由，雖然這自由，只是在完工的屋頂喝上一口啤酒。

3，體制化
「體制化是這樣一種東西，一開始你排斥它，後來你習慣它，直到最後你離不開它。」這是其中的一句台詞,但說的不正是我們嘛,當我們被人為劃定的圈子的固步自封,以為這就是我們所希望的生活,就象電影中的BROOKS,在監獄待了50年,入獄前就只見過一次汽車,出獄後面對熙熙攘攘的車流,那種茫然,那種無所適從,心裡唯一的想法竟然是回到那個萬惡的監獄,長期的沒有希望的生活已讓他失去了面對新生活的勇氣,他最後也選擇了自殺,也只能是他唯一的結局.記得那句刻在木廊上的字嘛?"BROOKS WAS HERE."
"hope is a good thing,maybe the best thing！Busy for living or busyfor death！"Andy在獄中對Read說的一句話,換來了Read詫異的目光,在他看來自己已經在監獄待了40年,已經"習慣"這里的一切,談希望未免太可笑.他已經習慣了體制化的生活,若不是遇見Andy,他的下場應該是與Brooks是一樣的,出來後看著陌生的世界，也就只有一死了之.所以在監獄里,Andy並不是進行的自我救贖,而是感染了身邊的一切,也就是帶來了希望,導演把 Andy戲耍典獄長的情節一筆代過，並沒有著重描述，其實憑借他的才能，有這樣的結果是可以預見的，雖然有點出乎意料，但讓在可以接受的范圍內．但對於Read,影片中曾不只一次的突出的敘述他對這種生活的滿意以及對未來自由生活的膽怯，在他心裡，現在這種狀態才是最好的。Andy改變了他，與其說是改變，不如說在生死關頭給他指引了一條生路，給他帶來了勇氣與希望．當看到Read拿起那把小刀，心裡為之一震，還好，他在Brooks刻字的旁邊寫下了這么一句：」Me too."同樣的遭遇，同樣的地點，不一樣的結局，這就是Andy出現多帶來的改變．

Shawshank redeems Hollywood

Can Hollywood, usually creating things for entertainment purposes only, create art? To create something of this nature, a director must approach it in a most meticulous manner, e to the delicacy of the process. Such a daunting task requires an extremely capable artist with an undeniable managerial capacity and an acutely developed awareness of each element of art in their films, the most prominent; music, visuals, script, and acting. These elements, each equally important, must succeed independently, yet still form a harmonious union, because this mixture determines the fate of the artist's opus. Though already well known amongst his colleagues for his notable skills at writing and directing, Frank Darabont emerges with his feature film directorial debut, The Shawshank Redemption. Proving himself already a master of the craft, Darabont managed to create one of the most recognizable independent releases in the history of Hollywood. The Shawshank Redemption defines a genre, defies the odds, compels the emotions, and brings an era of artistically influential films back to Hollywood.

The story begins with the trial of a young banker, Andy Dufrense, victimized by circumstantial evidence, resulting in a conviction for the murder of his wife and her lover. After a quick conviction, Andy finds himself serving a life sentence at Shawshank prison, with no hope of parole. He exists in this prison only in appearance, keeping his mind free from the drab walls around him. His ability to do this results in the gaining of respect from his fellow inmates, but most of all from Ellis Redding. Ellis, commonly referred to as Red, finds gainful use of his entrepreneurial spirit within the drab walls of Shawshank by dealing in contraband and commodities rare to the confines of prison. Andy's demeanor and undeniable sense of hope causes Red to take a deeper look at himself, and the world around him. Andy proves to Red and the other inmates that in the conventional walls of Shawshank prison convention will find no home in his lifestyle.

By creating the film's firm foundation, the meticulously chiseled screenplay paved the way for this film's success. Frank Darabont outdoes himself with the phenomenal adaptation of Stephen King's equally noteworthy novella, Rita Hayworth and Shawshank Redemption. In this novella, King demonstrates that he can break free from the genre he dominates and still create a marvelous piece of modern literature. Though the film mirrors the novella in many ways, Darabont illustrates a focused objective of improving upon the areas where the novella came up short, resulting in one of the best book to film transitions ever.

While maintaining some of the poetic and moving dialogue of the novella, Darabont also proves that a film's score can generate a great deal of emotional response from its audience, as dialogue does. He employs the cunning Thomas Newman, son of the legendary Hollywood composer, Alfred Newman. Darabont shows recognition for the film's needs by employing Newman, who makes the gentle piano chords whisper softly to the viewer, as if a part of the scripted dialogue. Newman lends himself to indivialism and tends to drive more towards the unique in the realm of score composition. His effort in Shawshank did not go unnoticed, as his score received an Oscar nomination in 1995. While unique and independent, Newman's score never once intrudes on your concentration or distracts from the film.

With work from vast array of talented scene designers, costume designers, composers, cinematographers, and various other Hollywood artists, the cast of The Shawshank Redemption had a strong foundation to work with. The marvelous cast of this film will dazzle you with some of the most convincing performances you will witness in a film. While both Tim Robbins and Morgan Freeman shine as Andy and Red, respectively, the true spectacle of acting lies within the plethora of amazing supporting actors who easily disappear into their roles. Most noticeable of these, the veteran film star James Whitmore, who portrays the elderly Brooks Hatlen. Brooks, a man incarcerated for an unmentioned crime for so long that he finds himself attached to the Shawshank and the daily life he has lead. Each of these actors show a true dedication to their art, and a focused purpose in their motivations, creating a convincing setting that never once caters to anything unbelievable.

With all of the aesthetic touches and attention to cinematic detail, the most beautiful part of the film lies within its thematic material, such as its focus on the human desires for the most abstract concepts, like hope and freedom. These themes, which concern things the human spirit undoubtedly yearns for, seem so intricately woven into the plot that it easily draws its audience in to its story. Though full of hardened criminals, your heart will go out to these men as they display the most basic of human emotions, and deliver some of the most quotable lines in a film to date. Like a great novel, this film manages to succeed at greater things than simply entertaining an audience. Darabont tells his story most masterfully, illustrating principles and inspiring his audience to think. He leaves us a poignant film with a powerful message of hope, and redemption, something we all seek.

This film manages to redeem Hollywood in the eyes of people who feared it long lost in a dark sea of clichés and predictability. Darabont shows us that artists still work in the Hollywood studios and proction facilities. These artists show their capability to proce art; real art that inspires you to look at the deeper aspects of life and the world around you. The Shawshank Redemption delivers much-needed breath of fresh air for anyone who realizes the capability of film. It proves that masters of the craft still live on this earth, and still bless us with timeless masterpieces that we will never forget.

㈩ 肖申克的救贖 影評,英文,200字

肖申克的救贖 影評：

Shawshank Redemption is one of the most exciting and morally satisfactory films in the 1990s. This is not just because it contains religious factors. God never cares for Shawshank, but because it is a story of looking for hope in the unshakable friendship between two people.

Crucially, as an age film based on a non horror short story by Stephen King, the film has never grown old. It is a moral fable about maintaining one's integrity and personal freedom, regardless of the environment. This is also true in real life, just as in this fictional fable.

翻譯：

《肖申克的救贖》是20世紀90年代最振奮人心，也是在道德上最令人滿意的電影之一。這並非只是因為它包含了宗教因素，上帝從來不會眷顧肖申克，而是因為它是一部在兩個人之間不可動搖的友誼中尋找希望的故事。

關鍵的是，作為一部根據斯蒂芬·金的一個非恐怖短篇小說改編的年代片，該片從未衰老。它是一個關於保持一個人的正直和個人自由的道德寓言，不論身處何種環境。這一點在現實生活中也是真實的，就如同在這部虛構的寓言中一樣。