海上鋼琴師電影英文賞析

1. 請問誰知道《海上鋼琴師》的影片名翻譯和內容的英文介紹

THE LENGEND OF 1900
Director Giuseppe Tornatore has had no luck with United States distributors. His original cut of Cinema Paradiso, one of the best films of the 1980s, was ruthlessly hacked to pieces by Miramax Films for its North American theatrical release. Now, a decade later, it's d閖?vu. The Legend of 1900, Tornatore's first English-language film, has seen its 160 minute Italian running length shrunk to 123 minutes at the insistence of Fine Line Features. To Tornatore's credit, he has managed to keep the story mostly intact; there are only a few occasions when it starts to ramble. Having not seen the full version, it's difficult for me to say whether the uneven nature of the episodic structure is the result of removing 25% of the film's sequences, or whether that hiccup plagues the original as well.

The entire tale of The Legend of 1900 takes place aboard a cruise ship ring the early decades of the 20th century, but this is no Titanic. Told in flashback by a down-on-his luck trumpet player named Max (Pruitt Taylor Vince), the movie is presented as half-fable, half-melodrama. The main character, Danny Boodman T.D. Lemon 1900, or 1900 for short (played by Tim Roth), is found abandoned on board the ocean liner The Virginian by an engine room worker (Bill Nunn), who keeps him and gives him his name (based on the year of his birth). 1900 grows up to be an agoraphobe who never knows life outside the ship. He is a genius at the piano, and his reputation spreads far and wide across the globe, but he never leaves The Virginian to claim the slice of fame that could be his. Even love cannot lure him from the open sea. On one occasion, he falls for a pretty passenger (Melanie Thierry), but lacks the courage to follow her into the city when the ship docks. The Virginian was where he was born and where he intends to die

Tornatore has a talent for developing stories that are pleasantly sentimental without turning mawkish. Does The Legend of 1900 manipulate its audience? Of course it does, but Tornatore is a master at this craft, and it doesn't feel as if our heartstrings are being plucked by someone with no talent. The director has blended one part fantasy, one part whimsy, one part comedy, and one part drama into a whole that stirs the spirit. The Legend of 1900 is an uplifting experience - the kind of movie that can make a hardened movie-goer laugh and cry at the same time. Tim Roth, who plays the lead, has called The Legend of 1900 "the antidote to my film [The War Zone]." In many ways, he's right. Where The War Zone, for all its brilliance, is dark and gritty, The Legend of 1900 is a light, airy confection.

As characters go, 1900 is a little underdeveloped, and no one else gets enough screen exposure to function as more than a secondary player. Tim Roth, as engaging as ever, brings 1900 to life, imbuing him with energy and charisma. Pruitt Taylor Vince plays an adequate second fiddle as 1900's best friend. Even though the movie is told from his point-of-view, however, Max is not fleshed out as anything more substantive than a narrator. Melanie Thierry offers viewers (and 1900) a pretty face to look at, but nothing more. The film's standout supporting role belongs to Clarence Williams III, who plays real-life jazz pianist Jelly Roll Morton. In The Legend of 1900's standout sequence, Jelly Roll boards the ship to challenge 1900 to a piano el. The smokin' results are pure magic.

Proction-wise, The Legend of 1900 is virtually flawless. Cinematographer Lajos Koltai fashions numerous gorgeous sequences that heighten the viewer's sense of watching something enchanting. Cruises, by their very nature, are divorced from the mundane routine of day-to-day life, but The Legend of 1900 has a truly un-real feel to it. This is a fantasy and a tall tale - the kind of thing that could never happen, but that we have no trouble accepting in a well-crafted motion picture. The movie's score, by veteran composer (and longtime Tornatore collaborator) Ennio Morricone, effectively compliments Koltai's keen visual sense.

Those attending The Legend of 1900 with hopes of re-capturing the glory of Cinema Paradiso may be disappointed. While Tornatore's latest succeeds in plumbing some of his masterpiece's emotional intensity, The Legend of 1900 is neither as deep nor as powerful as the 1990 Oscar-winner. And the dialogue is riddled with problems (likely the result of the Italian-to-English translation). In fact, this picture doesn't have much to offer audiences - except the opportunity to forget one's troubles and spend two hours taking pleasure from something uncomplicated and unpretentious.

2. 《海上鋼琴師》英文觀後感

The legend of 1900
It's an incredible film about a taleny musician. His parents abandoned him on a steam ship which traveled to American from other places.The boy was brought up by a Negro who gave him the name 'Danny Boodmann T.D. Lemon Nineteen hundred .' His dad was killed in an accident and then he showed his talent in piano playing. He became a pianist on the steam boat in a group of 4 to 5 people.He never cooperated and always let his piano be aware of by the people in the dance floor so that other players would stop and look at those noblemen and noblewomen dancing crazily following the music .1900'skill was also well known among the people on the land . He hadn't got off the boat even for one time .He had seen uncountable people go to America to look for their dreams .He thought that the people on the land was too busy and didn't know what they were busy for.He wanted to do what he liked, what was easy ,what could make him happy. He could do anything but be ordinary.He was born on the boat and lived his all life on it .Just like a brief note passed through our ears and disappeared .
"The legend of 1990" Was directed by Giuseppe Tornatore .It was written by Alesscandro Baricco .Tim Roth played the role of 1900. The film was attractive because of its amazing plot ,wonderful actor ,meaningful opinion and the excellent music .The sound of the piano had its moods and feelings .When 1900 met a graceful girl ,the sound became lyric.When he was arround by the poor who were enthusiastic ,the sound became brisk .When he played alone ,the sound became sad .The changeable appeared any time in the film. 1900's last song was silence .Before a ll explosion ,his fingers moved in the air ,played his last note.
The film let me think a lot on life .I'll definitely recommend it to you .Let the music start ,telling you the legend of 1900.

3. 求海上鋼琴師的英文介紹，100詞內！急用！

It is a story about spiritual freedom and pure soul.A man called 1900 was born on the ship,then he grew on the ship and died on the ship.The ship called Virginian bears his whole life.In 1900;s time,only once he made a decision to leave the ship and see the world.but at last he turned back.Because he can;t face the infinite city life.
這是一篇關於精神自由和純潔靈魂的故事。一個人叫1900出生在船上,然後他生長在船上,死在船上。這艘船叫維吉尼亞號，是他生命的全部。在1900年的一生中,只有一次,他決定離開這艘船,看看世界。最後,他回來了。因為他不能面對無限的城市生活。

4. 海上鋼琴師英文簡介 簡單一點!

1st January 1900, ship crew Danni picked up a abondonded baby on the piano inside the hall of the ship， and he named this baby 1900. 1900 grew up happily under the care and white lies of Danni. After the accidental death of Danni, 1900 came to the hall by chance and he saw the piano for the first time. Now, the legend of 1900 begins.
Life is like the passangers on the boat, abroad, getting off aboard and getting off again, in this sequence. to 1900, there is nothing more about life. Although he lives on the sea, but he has looked through all the honour, lonliness, gain and fall of life amoung the men on the land around.
at last, this talented man is going backto the sky, the heaven. Are there pianos in the heaven? at the time of the explosion of the ship, 1900 played his hands in the air, the beautiful fingers move as the background music flows, as if knocking on the doors to heaven.
1900年1月1日起,船員丹尼拿起一abondonded嬰兒鋼琴大廳內的船,他稱之為「1900號嬰兒」。1900年快樂地長大的關懷下和白色謊言的丹尼。在意外死亡,丹尼,1900年來到大廳的機會,他看見了鋼琴第一次。現在,1900年的開始的傳說。
生活就像在船上的乘客,在國外,下車,船上又下車,在這個序列。到1900年,沒有什麼更多關於生活。盡管他住在海里,但是他已經檢查了所有的榮譽,寂寞,增益和秋季的生活的男人在南部周圍的土地。
最後,這個有才華的人走回天空,天堂的。有鋼琴在天堂?爆炸發生時船舶的,1900年發揮他的手在空中,美麗的手指動作為背景音樂流,如果敲門門上天堂。

5. 海上鋼琴師英語讀後感50個字

寫作思路：首先先表明海上鋼琴師講的是什麼故事，再具體講述海上鋼琴師的內容。

範文：

It is a story about spiritual freedom and pure soul.A man called 1900 was born on the ship,then he grew on the ship and died on the ship. The ship called Virginian bears his whole life.

這是一個關於精神自由和純凈靈魂的故事。一個叫1900的人在船上出生，在船上長大，死在船上。這艘名為弗吉尼亞號的船承載著他的一生。

In 1900's time,only once he made a decision to leave the ship and see the world.but at last he turned back.Because he can;t face the infinite city life.

在20世紀，只有一次他決定離開船去看世界。但最後他還是轉過身來。因為他無法面對無限的城市生活。

6. 求海上鋼琴師的英文介紹,100詞內!急用!

It is a story about spiritual freedom and pure soul.A man called 1900 was born on the ship,then he grew on the ship and died on the ship.The ship called Virginian bears his whole life.In 1900;s time,only once he made a decision to leave the ship and see the world.but at last he turned back.Because he can;t face the infinite city life.
這是一篇關於精神自由和純潔靈魂的故事.一個人叫1900出生在船上,然後他生長在船上,死在船上.這艘船叫維吉尼亞號,是他生命的全部.在1900年的一生中,只有一次,他決定離開這艘船,看看世界.最後,他回來了.因為他不能面對無限的城市生活.

7. 《海上鋼琴師》的英文版電影分析

該片的英文譯名是THE LEGEND OF 1900

The Legend of 1900 is an interesting fable from legendary Italian filmmaker Guiseppe Tornatore, maker of Cinema Paradiso and The Star Maker. Based on a monologue by Alessandro Baricco, The Legend of 1900 tells the story of a unique man who never set foot upon dry land. On January 1, 1900, a small baby boy was found abandoned on the Virginian, a transatlantic ship. The crewman who found him names the boy Danny Boodman T.D. Lemon 1900; 1900 for short. 1900 is a true orphan. He knows nothing about his parents or his past. The Virginian is the only thing he knows.

The story unfolds as a series of flashbacks told by a man named Max (Pruitt Taylor Vance, Nobody's Fool, Mumford). In a series of events that seem awkward to the viewer, Max tells various people he meets about his experiences aboard the Virginian with 1900 (Tim Roth, No Way Home, Gridlock'd). The transitions are clunky, causing the story to frequently halt for further exposition before continuing. At a young age, 1900 became a piano prodigy. He entranced people with his ability to play the piano, and mbfounded people with his refusal to leave the ship. 1900 helped Max ease his transition onto the ocean, and the two became friends, playing together in the band. Max details 1900's experiences with love (in a very Titanic-like meeting), and his encounter with Jelly Roll Morton (Clarence Williams III, The General's Daughter, Reindeer Games). Morton is irrationally jealous of 1900 and challenges him to a piano el to determine the better player. Williams glowers through his role, which is interesting but one-dimensional.

Roth plays 1900 as an enigma. He shows emotion only when he is playing the piano. Vance's character is much more annoying. His only purpose is the narrator. Tornatore gives no reason as to why the two become friends, or remain friends for such a long time. 1900 is well liked by the crew, so why is Max the person 1900 confides in the most? The music of The Legend of 1900 was composed by another legend, Ennio Morricone. Morricone composed more than 400 scores over his career, garnering numerous nominations in the process. Morricone's music permeates the movie, rising and falling with the moods of the characters. The proction on The Legend of 1900 is gorgeous. The special effects are great, but here it is a good thing. Long shots of the Virginian do not look quite real, instead it looks almost magical. This is Tornatore's first English film, and although it isn't outstanding, it is a nice effort.

8. 海上鋼琴師 英文影評 誰能告訴我一下！~

這里有些經典台詞，不知有用否？

海上鋼琴師 經典台詞

All that city. You just couldn』t see the end to it. The end Please
You please just show me where it ends It was all very fine on that
gangway. And I was grand too, in my overcoat. I cut quite a figure.
And I was getting off. Guaranteed. There was no problem. It wasn』t
what I saw that stopped me, Max. It was what I didn』t see. You
understand that What I didn』t see. In all that sprawling city there
was everything except an end. There was no end. What I did not see
was where the whole thing came to an end. The end of the world...

Take a piano. The keys begin, the keys end. You know there are
eighty-eight of them, nobody can tell you any different. They are
not infinite. You are infinite. And on these keys the music that you
can make is infinite. I like that. That I can live by.

You get me up on that gangway and you』re rolling out in front of me
a keyboard of millions of keys, millions and billions of keys that
never end, and that』s the truth, Max. That they never end. That
keyboard is infinite. And if that keyboard is infinite, then on that
keyboard there is no music you can play. You』re sitting on the wrong
bench. That』s God』s piano.

Christ! Did, did you see the streets Just the streets… There were
thousands of them! And how do you do it down there How do you
choose just one One woman, one house, one piece of land to call
your own, one landscape to look at, one way to die...

All that world is weighing down on me, you don』t even know where it
comes to an end, and aren』t you ever just scared of breaking apart
at the thought of it The enormity of living it

I was born on this ship, and the world passed me by, but two
thousand people at a time. And there were wishes here, but never
more than fit between prow and stern. You played out your happiness,
but on a piano that was not infinite. I learned to live that way.

Land Land is a ship too big for me. It』s a woman too beautiful;
it』s a voyage too long, a perfume too strong. It』s a music I don』t
know how to make. I could never get off this ship. At best, I can
step off my life. After all, I don』t exist for anyone. You』re an
exception, Max, you』re the only one who knows I』m here. You』re a
minority, and you better get used to it. Forgive me, my friend, but
I』m not getting off.

This is the way the world ends
Not with a bang but a whimper
——T·S·Eliot

所有那些城市，你就是無法看見盡頭。盡頭？拜託！拜託你給我看它的盡頭在哪？當時，站在舷梯向外看還好。我那時穿著大衣，感覺也很棒，覺得自己前途無量，然後我就要下船去。放心！完全沒問題！可是，阻止了我的腳步的，並不是我所看見的東西，而是我所無法看見的那些東西。你明白么？我看不見的那些。在那個無限蔓延的城市裡，什麼東西都有，可惟獨沒有盡頭。根本就沒有盡頭。我看不見的是這一切的盡頭，世界的盡頭。

拿一部鋼琴來說，從琴鍵開始，又結束。你知道鋼琴只有88個鍵，隨便什麼琴都沒差。它們不是無限的。你才是無限的，在琴鍵上製作出的音樂是無限的。我喜歡這樣，我活的慣。

你把我推到舷梯上然後扔給我一架有百萬琴鍵的鋼琴，百萬千萬的沒有盡頭的琴鍵，那是事實，max，它們沒有盡頭。那鍵盤是無限延伸的。然而如果琴鍵是無限的，那麼在那架琴上就沒有你能彈奏的音樂，你坐錯了地方，那是上帝的鋼琴。

天啊！你……你看過那些街道嗎？僅僅是街道，就有上千條！你下去該怎麼辦？你怎麼選擇其中一條來走？怎麼選擇「屬於你自己的」一個女人，一棟房子，一塊地，或者選擇一道風景欣賞，選擇一種方法死去。

那個世界好重，壓在我身上。你甚至不知道它在哪裡結束，你難道從來不為自己生活在無窮選擇里而害怕得快崩潰掉嗎？

我是在這艘船上出生的，整個世界跟我並肩而行，但是，行走一次只攜帶兩千人。這里也有慾望，但不會虛妄到超出船頭和船尾。你用鋼琴表達你的快樂，但音符不是無限的。我已經習慣這么生活。

陸地？陸地對我來說是一艘太大的船，一個太漂亮的女人，一段太長的旅行，一瓶太刺鼻的香水，一種我不會創作的音樂。我永遠無法放棄這艘船，不過幸好，我可以放棄我的生命。反正沒人記得我存在過，而你是例外，max，你是唯一一個知道我在這里的人。你是唯一一個，而且你最好習慣如此。原諒我，朋友，我不會下船的。

附：
1900 Moonlight city. You just couldn』t see an end to it.
It wasn』t what I saw that stopped me ,Max.
It was what I didn』t see.

Take the piano.
Keys begin. Keys end.
You know there are 88 of them.
They』re not infinite. You』re infinite.
And on those keys, the music that you can make is infinite.
I like that. That I can live by.
But you get me up on that gangway, and you roll them out
in front of me.
Keyboards have millions and billions of keys that never end.
That keyboard is infinite.
Then on that keyboard there』s no music you can play.
That』s God』s piano.

Did you see the streets
There』re thousands of them.
How do you choose just one
One woman, one house, one way to die…….
You don』t even know where it comes to an end.
Aren』t you ever just scared of breaking apart with the
thought of it

I was born on this ship.
And the world passed me by.
But 2000 people at a time and there』re old wishes here .
But nevermore that fit between prow and stern..
You played out your happiness bit on a piano that was not
infinite.
I learned to live that way.

Land
Land is a ship too big for me,
It』s a woman too beautiful, a bridge too long, perfume to
strong, music I don』t know how to play.
I can never get off this ship.
At best, I didn』t step off my life.
After all, I don』t exist for anyone.

譯文：

偌大的城市，綿延無盡。
並非是我眼見的讓我停住了腳步，
而是我所看不見的。你能明白嗎？

拿鋼琴來說。
鍵盤有始亦有終。
你確切地知道88個鍵就在那兒，錯不了。
它們並不是無限的，而你，才是無限的。你能在鍵盤上表現的音樂是無限的。
我喜歡這樣，我能輕松應付。
而你現在讓我走過跳板，走到城市裡，
等著我的是一個沒有盡頭的鍵盤。
我又怎能在這樣的鍵盤上彈奏呢？
那是上帝的鍵盤啊！

你看到那數不清的街道嗎？
如何只選擇其中一條去走？
一個共渡一生的女人，一幢屬於自己的屋子，一種生與死的方式

你甚至不知道什麼時候才是盡頭。
一想到這個，難道不會害怕、會崩潰嗎？

我在這艘船上出生。
世事千變萬化，然這艘船每次只載2000人。
這里有著希望，但僅在船頭和船尾之間。
你可以在有限的鋼琴上奏出你的歡欣快樂。
我習慣了這樣的生活。

陸地？
陸地對我來說是一艘太大的船，
太漂亮的女人，太長的旅程，太濃烈的香水，無從著手的音樂。
我永遠無法走下這艘船，
這樣的話，我寧可舍棄我的生命。
畢竟，我從來沒有為任何人存在過，不是么？

9. 【海上鋼琴師】的觀後感誰有 英文的 60詞

《海上鋼琴師》不愧為一部經典影片。它給我們展示了一個生在船上，長在船上，死在船上，只為鋼琴而生的人的一生。他將一生所有的光芒撒在個這艘船上，短暫而凄美。

主人翁（名叫1900）對於這艘船的愛戀不舍，可能類似於我們對於故土的一種眷戀。生於斯，長於斯，故土賦予我們生命以及生命里的一切，這艘船同樣賦予他人生的全部價值和情感。現實生活中，有些人可能一輩子都不願離開他的故土，縱然那土地貧瘠，荒涼，甚至充滿危險，縱然外面的世界紛繁多彩，金銀遍地，他們從不離開故土一步。對於1900，一個孤兒，他的全部世界就是這艘船，這里就是他的的家，他的全部快樂悲傷夢幻激情。可以說他對於這艘船的感情比任何一個人來的都更深沉，更灼熱。所以即便是最後一刻，他仍然不會選擇離開。

片中最後一段，有主人翁的一段獨白，他說他不走，不是因為他站在船板上看到的那些建築讓他感到畏懼，而是因為他看不到世界的盡頭。是啊，鋼琴的鍵有始有終，船的甲板有始有終，他可以用有限的鍵盤奏出無限的樂曲，他可以駕馭這種「有限」，在這里，他就是他。而這個世界呢，沒有開始，沒有結束，錯綜復雜的街道，星羅棋布的高樓大廈，有太多的路可以選擇，他沒有辦法去駕馭。駕馭他的人生，他的情感，他的音樂。他只能選擇他可以選擇，可以駕馭的方式生活，這種方式與世無爭，平靜自如，不受功名利祿的紛擾。如果一種生活方式，他無法駕馭，他寧可不要！我想這也許是他不選擇離開的第二個理由。

他內心的孤獨，音樂可知，就如同他的語言，他用它來述說生命，表達情感。其中有這樣的一幕，夜晚，在船的酒會大廳，他演奏著，鋼琴隨著在颶風大浪中左右搖擺船艘，在光潔的地板上，合著音樂的節拍，乎左乎右，時而轉圈，時而滑行。讓你感受到彷彿他整個人的身心和這音樂，這艘船，這大海早就融合在了一起。他說過，他的音樂和他的人不分開，所以拒絕發布他的音樂膠片。我想，他的內心裡，也一定這樣篤信，他的這艘船和他的人，不能分開。生命彷彿自他被拋棄的那一刻起，就和這船聯系在了一起。音樂，船，他，是「一」，永遠無法分開。船的生命結束了，相信他的生命結束，也似乎成為了必然。這也許是他不離開的第三個理由。

對家的深深眷戀，對生存方式的抉擇要求，以及早就融為一體的共同的生命，促成了他的悲劇。

然而這真的是悲劇嗎？就像戲曲在最高潮處嘎然而止，人生在顛峰時刻隱退，情人們相擁著步入婚姻，我們看到了最完美的一幕，之後呢？看戲曲漸漸索然無味，人生逐漸走向低谷，愛情繼婚姻之後埋葬在數不清的家庭瑣事里，這就是最真實的世界。他的死，至少震撼了我們每個人的心靈，我們誰也無法想像這樣的一位曠世奇才，走下船舶，是怎樣開始他平凡的人生，開始變得庸俗乏味，追名逐利。我們不忍心看到這里，導演自然也不會忍心拍到這里。所以從某種意義上講，這也許算不得是一幕悲劇。

現實生活中，對於別人的選擇，我們會感到匪夷所思，就像這部影片一樣，可能很多人也不解他的這種選擇，但是，我想說，無論是誰，作出怎樣的選擇，無論在我們看來是多麼的荒謬，多麼的不明智，多麼的讓人不解，這都是他的選擇。這個選擇一定有他的理由，他的思考，你不是他，你沒有經歷他所經歷的，你沒有了解他所想的，那麼我們唯一可以作的事情，不是述說我們的不解，而是握住他的手，微笑著說一句，Good luck!

喜歡這部電影，喜歡1900，喜歡音樂，喜歡這一片湛藍的大海。