㈠ 《簡 愛》的英文梗概,80-100詞。
英文梗概:It is mainly about an orphan girl, Jane Eyre, who was adopted at her uncle's home when she was a child. Her uncle hated her very much. After her uncle died, she sent her as a minor child to a church school, where she was born and died.
A few years later, she was about eighteen years old and left a purgatory school and worked as a tutor in a manor. From this, he fell in love with the owner of the manor, Mr. Rochester. And just as they were getting married, when they learned that the man had a wife or a madman, they were confined in the castle where she lived every day.
So she left her heart and was rescued by three brothers and sisters. She became a teacher in a humble temporary school anonymously, but the eldest brother of the three brothers and sisters discovered her secret.
They were cousins and sisters, and they got a large legacy of a deceased loved one. Returning to his family, Jane Eyre, who had wealth, missed Mr. Rochester and quietly returned to the manor, only to find that Mr.Rochester was injured and blind, and the castle was ruined by his mad wife's act of setting fire to the house.
So Jane Eyre returned to Mr. Rochester, who was single and had no bondage, and they began a happy life.
漢文對照:主要是講一個孤女簡愛,從小被收養在舅舅家,他舅母十分討厭她,在她舅舅死後,將還是未成年孩子的她送到一家教會學校,由她自生自滅。
幾年後,她大概十八歲離開煉獄般的學校,到一家莊園做家庭教師。由此愛上了那個庄園男主人——羅切斯特先生。而正當兩人舉行婚禮之際,得知了男主人居然有一個老婆,還是瘋子,就被關在她每天生活的城堡里。
於是,她傷心離開,被一戶兄妹三人所救。她隱姓埋名又做起了簡陋臨時學校的教師,而三兄妹的大哥卻發現了她的秘密,原來他們竟然是表兄妹的關系,並且得到了一個死去親人的一大筆遺產。找回親情,擁有財富的簡愛心中掛念羅切斯特先生,悄悄回到那個庄園,卻發現羅切斯特先生在瘋妻放火燒屋的行徑下,受傷成了盲人,城堡也成了廢墟。
於是簡愛回到了已經單身,沒有束縛的羅切斯特先生身邊,兩人開始了幸福的生活。
這本小說是一部具有濃厚浪漫主義色彩的現實主義小說。《簡·愛》是部膾炙人口的作品,一部帶有自傳色彩的長篇小說。《簡·愛》中的簡·愛人生追求有兩個基本旋律:富有激情、幻想、反抗和堅持不懈的精神;對人間自由幸福的渴望和對更高精神境界的追求。
這本小說的主題是通過對孤女坎坷不平的人生經歷,成功地塑造了一個不安於現狀、不甘受辱、敢於抗爭的女性形象,反映一個平凡心靈的坦誠傾訴的呼號和責難,一個小寫的人成為一個大寫的人的渴望。
㈡ 簡愛的英文讀後感要求帶翻譯
Jane Eyre — A Beautiful Soul
Jane Eyre, is a poor but aspiring, small in body but huge in soul, obscure but self-respecting girl. After we close the covers of the book, after having a long journey of the spirit, Jane Eyre, a marvelous figure, has left us so much to recall and to think:
We remember her goodness: for someone who lost arms and blinded in eyes, for someone who despised her for her ordinariness, and even for someone who had hurt her deeply in the past.
We remember her pursuit of justice. It』s like a companion with the goodness. But still, a virtuous person should promote the goodness on one side and must check the badness on the other side.
We remember her self-respect and the clear situation on equality. In her opinion, everyone is the same at the God』s feet. Though there are differences in status、in property and also in appearance, but all the human being are equal in personality.
We also remember her striving for life, her toughness and her confidence…
When we think of this girl, what she gave us was not a pretty face or a transcendent temperament that make us admire deeply, but a huge charm of her personality.
Actually, she wasn』t pretty, and of course, the ordinary appearance didn』t make others feel good of her, even her own aunt felt disgusted with it. And some others even thought that she was easy to look down on and to tease, so when Miss Ingram met Jane Eyre, she seemed quite contemptuous, for that she was obviously much more prettier than 『the plain and ugly governess』. But as the little governess had said: 『Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong!』 This is the idea of equality in Jane Eyre』s mind. God hadn』t given her beauty and wealth, but instead, God gave her a kind mind and a thinking brain. Her idea of equality and self-respect impress us so much and let us feel the power inside her body.
In my mind, though a person』s beauty on the face can make others once feel that one is attractive and charming, if his or her mind isn』t the same beautiful as the appearance, such as beauty cannot last for, when others find that the beauty which had charmed them was only a falsity, it』s not true, they will like the person no more. For a long time, only a person』s great virtue, a noble soul, a beautiful heart can be called as AN EVERLASTING BEAUTY, just as Kahill Gibran has said, that 『Beauty is a heart enflamed and a soul enchanted』. I can feel that how beauty really is, as we are all fleshly men, so we can』t distinguish whether a man is of nobleness or humbleness, but fleshly men, so we can』t distinguish whether a man is of nobleness or humbleness, but as there are great differences in our souls, and from that, we can know that whether a man is noble or ordinary, and even obscure, that is, whether he is beautiful or not.
Her story makes us thinking about life and we learn much from her experience, at least, that is a fresh new recognition of the real beauty.
翻譯:
簡愛-一個美麗的靈魂
簡愛,是一個貧窮但有抱負,身體小,但在靈魂,晦澀,而自尊的女孩,巨大的。之後,我們關閉了書的封面後,有精神,簡愛,一個了不起的數字,漫長的旅途中,已經離開了我們這么多的回顧和思考:
我們還記得她的長處:有人誰失去了武器和眼睛失明的人誰瞧不起她,她的平凡,甚至有人把她深深誰在過去的傷害。
我們還記得她的正義追求。它像一個善良與伴侶。即便如此,一個善良的人應該促進一方的善良和必須檢查的另一邊badness。
我們還記得她的自我尊重和平等明確的情況。她認為,每個人都在神的腳一樣。雖然有不同的地位,財產以及在外觀,但所有的人都是平等的人格。
我們還記得她對生命的奮斗,她的韌性和她的信心...
當我們認為這個女孩,她給我們的不是一個漂亮的臉蛋或超越的氣質,令我們深感欽佩,但對她個性的巨大魅力。
其實,她不漂亮,當然,普通的外觀並沒有讓別人覺得她的好,甚至連她的姑姑感到厭惡它。還有一些人甚至認為她很容易被瞧不起和梳理下來,所以當英格拉姆小姐會見了簡愛,她似乎相當不屑,因為她更漂亮,顯然比'平原和醜陋女教師'。但由於小姆曾說過:'你想,因為我差,模糊,平原和小,我沒有靈魂和良心?你想錯了!'這是在簡愛的精神平等的觀念。上帝沒有給她的美貌和財富,而是,上帝給了她一種博大的胸懷和大腦思維。她的想法平等和自尊給人的印象那麼多,讓我們感受到她的身體內的權力。
在我看來,雖然一個人的面部美容可以使別人一旦覺得有是有吸引力的迷人,如果他或她的心是不一樣的美,如美麗的外觀,不能持續,當別人發現美曾征服了大家只是一個虛假的,這不是真的,他們將像人而已。長期以來,只有一個人最大的優點,一個高尚的靈魂,一個美麗的心可以作為永恆的美容要求,正如Kahill紀伯倫所說,'美是想像激怒的心臟和靈魂迷惑'。我感覺到真的是如何美麗,因為我們都是肉慾男人,所以我們不能辨別一個人的高貴或謙遜的,但肉慾男人,所以我們不能區分一個人是否高貴或謙遜的是,但是,還有在我們的靈魂的巨大差異,以及,我們可以知道一個人是否高尚或普通,甚至模糊,也就是說,他是否美麗與否。
她的故事使我們思考我們的生活和學習她的經驗,更至少,這是一個新的真正的美新的認識
㈢ 簡愛電影的英文影評。
A fast hour and a half
of psychological doom and gloom, and glimmers of happiness through true
love trounced by the realities of 1840 England. It's all pretty amazing
stuff, and you have to see it to believe it, those dark clouds and
sprawling stone buildings.
Yes, Orson Welles is the lead male here, Mr. Rochester, and he's a
physical presence, for sure, but a stiff one. As just one slightly
unfair comparison, watch how Lawrence Olivier handles being lead male
in a similar era (1939) Bronte film, Wuthering Heights. It's unfair
because this earlier movie, directed by William Wyler, is even better
than Jane Eyre. But here we have an actress who wowed the world in the
masterful Rebecca in 1940, and with Olivier himself, and if you see
this Hitchcock movie, based on a Daphne Maurier book, you'll see a
weirdly too similar echo of Charlotte Bronte's plot, complete with
mysterious master of the house and a big fire at the end.
This big mix and match is meant only to say that this kind of movie,
this kind of plot, reached a fever pitch in the early 1940s and
proced three masterpieces. You should see them all, and see the
influences back and front and sideways. Great stuff, with Jane Eyre the
third in line, made by the lesser known British director Robert
Stevenson (who had this one early success and then the other one, Mary
Poppins, of all things). But it was based on an Orson Welles radio
version of the story, which you can feel in the narrated lines with
Joan Fontaine's voice. You sense Welles had a hand in the whole feel of
the movie, the camera angles in the early scenes (looking up or down at
the child), and the overall Gothic excess and fog.
Great stuff to just feel and absorb.
㈣ 簡愛的影評,大家幫我翻譯成為英文版的,在線翻譯的我可不要哈
a
㈤ 簡愛的英文影評
Jane Eyre — A Beautiful Soul
Jane Eyre, is a poor but aspiring, small in body but huge in soul, obscure but self-respecting girl. After we close the covers of the book, after having a long journey of the spirit, Jane Eyre, a marvelous figure, has left us so much to recall and to think:
We remember her goodness: for someone who lost arms and blinded in eyes, for someone who despised her for her ordinariness, and even for someone who had hurt her deeply in the past.
We remember her pursuit of justice. It』s like a companion with the goodness. But still, a virtuous person should promote the goodness on one side and must check the badness on the other side.
We remember her self-respect and the clear situation on equality. In her opinion, everyone is the same at the God』s feet. Though there are differences in status、in property and also in appearance, but all the human being are equal in personality.
We also remember her striving for life, her toughness and her confidence…
When we think of this girl, what she gave us was not a pretty face or a transcendent temperament that make us admire deeply, but a huge charm of her personality.
Actually, she wasn』t pretty, and of course, the ordinary appearance didn』t make others feel good of her, even her own aunt felt disgusted with it. And some others even thought that she was easy to look down on and to tease, so when Miss Ingram met Jane Eyre, she seemed quite contemptuous, for that she was obviously much more prettier than 『the plain and ugly governess』. But as the little governess had said: 『Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong!』 This is the idea of equality in Jane Eyre』s mind. God hadn』t given her beauty and wealth, but instead, God gave her a kind mind and a thinking brain. Her idea of equality and self-respect impress us so much and let us feel the power inside her body.
In my mind, though a person』s beauty on the face can make others once feel that one is attractive and charming, if his or her mind isn』t the same beautiful as the appearance, such as beauty cannot last for, when others find that the beauty which had charmed them was only a falsity, it』s not true, they will like the person no more. For a long time, only a person』s great virtue, a noble soul, a beautiful heart can be called as AN EVERLASTING BEAUTY, just as Kahill Gibran has said, that 『Beauty is a heart enflamed and a soul enchanted』. I can feel that how beauty really is, as we are all fleshly men, so we can』t distinguish whether a man is of nobleness or humbleness, but fleshly men, so we can』t distinguish whether a man is of nobleness or humbleness, but as there are great differences in our souls, and from that, we can know that whether a man is noble or ordinary, and even obscure, that is, whether he is beautiful or not.
Her story makes us thinking about life and we learn much from her experience, at least, that is a fresh new recognition of the real beauty.
影評沒找到,這個是讀後感,好像還不太全,參考一下吧~~~~~~~~
㈥ 要寫一篇英文的簡愛的影評 是BBC06年的 急求
聲明以下不是我寫的.請參考:
http://www.bbc.co.uk/drama/janeeyre/
http://www.imdb.com/title/tt0780362/usercomments
"Never before have I watched characters with such passion, or felt that I truly knew a character personally.
I experienced every moment of happiness, heartache, belonging and fear which Ruth Wilson portrayed so fantastically as Jane. A true credit to the acting profession, I hope to see many more outstanding performances by her.
Equally, the ever unpredictable Edward Rochester's character shone through perfectly e to the never ending talent of Toby Stephens.
This is undoubtedly the best period drama to date. I look forward to the DVD and hopefully a few BAFTAs."
"Having never previously seen an adaptation of Jane Eyre, or read the novel, I find myself wishing for Sunday evening to arrive so I can see the next episode. However I equally don't want to see an end to a truly wonderful drama.
This episode was fantastic - from finding out that Jane had an uncle, to her confession of love to Rochester, and vice versa, to the revelation of another wife, it was all beautifully done. When Rochester was explaining the story of how he had come to marry, it was very easy to feel compassion for him."
"I had thought Ruth Wilson's performance slightly dominated this adaptation. However, this episode saw Toby Stephens really shine. He was absolutely superb, going from schemer to giddy lover to despairing self-loathing man.
I've thoroughly enjoyed this adaptation, mainly because of the great actors and the chemistry between them. This has risen above any minor quibbles in details being left out. Sunday nights have never been so good."
"I'm a purist when it comes to Jane Eyre, my favourite novel, and I'm disappointed at the modernisation of almost all of the dialogue, which in the original is moving and humorous in places.
Having said that, I'm enjoying the episodes. I like the cast and it can be appreciated for its own sake.
Toby Stephens is the right age to play Rochester and has captured his charm and wit, as well as his rougher side.
Ruth Wilson is an excellent Jane, except that she isn't outspoken enough - her character has been muted. However, I look forward to the next episode, when I expect the romance will become more intense."
"Having seen all previous adaptations of Jane Eyre, I was sceptical that a new and innovative 'take' on the story could be achieved. However, I was mistaken. The new version is vibrant and shows the characters much more in synch with the text than all other versions.
The casting is also inspired - Toby (despite the critics) and Ruth are excellent and extremely well matched."
"I'm really enjoying this version, although I agree with some viewers that the script is a tad mbed down and misses some of the subtlety of the novel.
The relationship between Jane and Rochester is believable, they really do connect despite their different backgrounds.
I've always disliked previous Rochesters who have been played as bellowing brutes. Toby Stephens is tortured, sarcastic, self-pitying, charming and as real as the Rochester in the book.
I thought the mad wife was a little too pretty. In the book she's lost her looks and is fairly hideous. Perhaps a little more mad snarling wouldn't have gone amiss."
㈦ 《簡愛》的影評!謝謝!最好是英文版的
《簡愛》的影評 英文版
A thoroughly engaging adaption of the brooding classic, this film rises above the turgid tone often imposed on other classics brought to the screen. Joan Fontaine turns in a brilliantly deceptively understated performance, and Orson Welles restrains from the scenery chewing that marred some of his own projects; there is surprising chemistry between them. At times, Welles is a downright "sexy" leading man! The script (credited to John Houseman and Aldous Huxley) captures the right "tone" of Victorian cruelty and repression.
Under Robert Stevenson's direction Fontaine/Welles seem to capture the essence of two abused outsiders resisting their attraction for one another, trying to adhere to convention. A strong supporting cast. There are brief though memorable appearances by Agnes Moorehead, Elizabeth Taylor and Peggy Ann Garner as "young" Jane.
George Barnes' camera captures appropriately stark images of Ross Dowd and Thomas Little's sets. Charlotte Bronte's grim novel is well suited to the excellent B/W, cinematography: a memorable scene early in the film has young Jane being punished by being forced to stand on a stool that is nearly in the center of a fan of shadows cast by the stair railing, It is almost reminiscent of expressionist German films of the Weimar years.
The film manages to entertain as well as inform. Purists may object to the last 3 lines of the film which hint at a slightly happier denouement than the book offered. In spite of that, Jane Eyre is still a nearly flawless film.
參考資料:IMDB
㈧ 急求一篇簡愛的英文讀後感!!!200字左右!!!!謝謝 拜託好心人幫幫忙!!!急!!急!!拜託了!!
我在此談談讀巨著《簡愛》的讀後感,當我合上簡愛這本書之後,我深深的被Jane Erye(簡愛)所打動,她是如此善良而優秀的女人。Eyre夫人有一顆金子般的心。她真愛著她身旁的每個人,並且真誠的給予他們幫助,她自重,並且做每件事都很優秀,我非常喜歡她。她不僅僅是我的老師還是我的摯友,每當我迷惘的時候,我就會想到她,想到她如果是此時的我將會怎麼做,為什麼不去讀我的朋友《簡愛》!
Let me tell what I feel after reading the great work Jane Erye.I was really move by Jane Erye after closing the book.What a kind and good woman!Mrs Eyre had a heart of gold.She really loved everyone around her,and gave others help sincerely(真誠地).She respected(尊重) herself and did her best to do everything.I really love her.She are both a great teacher and a good friend of mine.Sometimes when I am confuse(迷惑的),I will think of her.I will imagine what will she do if she is I.Why not read Jane Erye my friends!
小說設計了一個很光明的結尾.羅徹斯特的庄園毀了,他本人也成了一個殘廢..在這樣的情況下,簡愛不再在尊嚴和愛之間矛盾.而同時獲得滿足-------她和羅徹斯特的結婚是有尊嚴的,同時也是有愛的. 小說告訴我們,人們最美好的生活就是尊嚴加愛.小說的結局按排的這是這樣一種生活.雖然我覺得這樣的結局過於完美,這樣的完美有點浮淺..但我依然尊重作者對這種生活的美好理想.就是-------尊嚴加愛/ The novel tells us that the best people to increase the dignity of life is love. Novels by the end of the row that this is such a life. Although I think this kind of outcome is too perfect, so perfect .. a little superficial, but I still respect this author The ideal of a better kind of life. ------- Is to increase the dignity of love / In modern society, few people will like Jane Eyre, for the love for the character and abandon all, and without looking back.'s Whole-hearted pursuit of pay, and pure like a glass of ice water .......
Jane eyre
English: Jane eyre is a novel color autobiography, it explains the theme: people's value = dignity + love.
Jane. Love living in a parents, sponsor, grew up under the environment of treatment with peers, aunt abandon, cousin contempt, cousin insults and beating of a child... this is the dignity of the ruthless trample, but perhaps because it all, Jane. Love and faith of infinite indomitable spirit, a kind of inner personality can win.
In rochester, she never because he is a teacher and the family status meanness, but that they feel inferior is equal. Should not because she is a servant, but not respected by others. Also because of her integrity, noble and pure heart, no pollution, secular society for the shock, and rochester her as a spiritual and equality in the conversation, and slowly and deeply in love with her.
Jane eyre itself to us is a kind of simplified, is a fanpiaoguizhen, is a kind of pursuit of whole heart feeling, is a kind of simplified feelings and neglected, it is like a cup of water, purify every reader's heart, also cause readers, especially female readers
簡愛》
中文:《簡愛》是一部帶有自傳色彩的長篇小說,它闡釋了這樣一個主題:人的價值=尊嚴+愛。
簡。愛生存在一個父母雙亡,寄人籬下的環境,從小就承受著與同齡人不一樣的待遇,姨媽的嫌棄,表姐的蔑視,表哥的侮辱和毒打……這是對一個孩子的尊嚴的無情踐踏,但也許正是因為這一切,換回了簡。愛無限的信心和堅強不屈的精神,一種可戰勝的內在人格力量。
在羅切斯特的面前,她從不因為自己是一個地位低賤的家庭教師而感到自卑,反而認為他們是平等的。不應該因為她是僕人,而不能受到別人的尊重。也正因為她的正直,高尚,純潔,心靈沒有受到世俗社會的污染,使得羅切斯特為之震撼,並把她看做了一個可以和自己在精神上平等交談的人,並且慢慢地深深愛上了她。
《簡愛》所展現給我們的正是一種化繁為簡,是一種返樸歸真,是一種追求全心付出的感覺,是一種不計得失的簡化的感情,它猶如一杯冰水,凈化每一個讀者的心靈,同時引起讀者,特別是女性讀者的共鳴。
㈨ 求一篇簡愛的英文讀後感(200字)左右
An Analysis of Jane Eyre
The novel is rich in poetry, symbolism and metaphor. It does not fit easily into a definite pattern, being neither a novel of "manners" in the tradition of Austen, or a straightforward Gothic Romance in the style of Mrs Radcliffe. What Charlotte Bronte did was to create a work which cleverly blends elements of the two styles, and which remains uniquely independent of them at the same time, since it addresses issues which were at the time rather controversial.
The novel is written in the first person, and thus magnifies the central character - the reader enters the world of Jane Eyre and is transported through her experiences at first hand. This at once makes the work subjective, especially since we know that Charlottes Brontes own life and experiences were so closely interwoven with the heroine's. As well as this we learn only at the end of the novel that the events are being related to us ten years after the reconciliation with Rochester - thus the narrative is RETROSPECTIVE (looking back). CB is clever in blending the narrative so that at times Jane seems to be speaking as an alt with alt hindsight , while at others she she is "in the middle" of them, as a child or young woman. The indecision which is a central issue in the book, is heightened by this device. We never know, as readers, whether to be entirely trustful of Janes actions and thoughts, because we are never sure wheher she is speaking impulsively or maturely.
This intensifies the readers dilemma as to what is "right" and "wrong" in the dramatic relationships which are part of JE's life. Can we believe what the heroine says, or is she deceiving herself? The novel is primarily a love story and a "romance" where wishes come true but only after trials and suffering. The supernatural has its place, as do dreams, portents and prophesies. The heroine begins poor and lonely and ends up rich and loved; the orphan finds a good family to replace the wicked one; all the basic ingredients of classic romantic fairytale are present.
The romantic element is present in two forms in Jane Eyre; the "family" aspect is dealt with in the Gateshead, Lowood and Moor House episodes, which involve the exchanging of the wicked Reed family for the benevolent Rivers one; and the Love romance is dealt with in the Thornfield and Ferndean episodes. Both aspects are, of course linked and interwoven throughout the novel.
There is also a strong element of realism in the novel, which, married to the romantic aspect, enhances the novel's strength.The sense of place is very strong; we are able to experience both exterior and interior settings with startling clarity throughout the story, in a series of vivid deive passages. The central characters are also realistic and their confrontations and sufferings change them in a believable way.
Even the unlikely is made plausible, with a unique blend of high drama and perceptive low comedy (the attack on Mason, for instance)
The more fantastic romantic aspects; the coincidences; the secrets; the supernatural occurrences, are balanced by the realism, and this is of course a major strength.
The Gothic influence cannot be ignored, although CB has refined the technique considerably from the "authentic" Gothic of the 1790's. In the original genre, the heroine would typically be abcted and threatened with section, or worse!. There would be a lover - a respectable, well-bred young man - who would endeavor to rescue the heroine and would succeed after many trial. the secer would be a brigand "Know that I adore Corsairs!" and he would lock the girl up in a remote castle.
There was little freedom for middle class women ring the period of the Gothic novel, and this was still the case in the time of CB. Marriage especially was often a bargain, whereby fortunes were secured by using the female as a pawn. A woman's value largely depended therefore on her sexual purity and she was guarded and secured as a result. Men, on the contrary, were potent and free; lovers and mistresses were common. Ironically the women who provided their services were social outcasts as a result.
In Jane Eyre we see elements of the Gothic romance, in that Thornfield Hall and Rochester are described very much in the brigand/castle style BUT Jane Eyre is not abcted by R. On the contrary she chooses to go there of her own free will. AND she is clear in her determination to have Rochester as a husband. Neither is there a gentleman rescuer; St John Rivers may look like a Greek God, but he is neither kind nor benevolent; driving Jane back to Ferndean, not rescuing her from it.
The trials which the hero is supposed to undergo in a Gothic romance are in fact undergone by the heroine in Jane Eyre. The bandit Rochester is only skin-deep. Underneath the brooding exterior is a sensitive soul, which a WOMAN frees. In this way we see that CB created rather a daring departure from conventional fiction, although there are still many aspects of the novel which remain true to Victorian convention.!
你可以自己再修改下哦!!!
㈩ 簡愛的人物評價(英語的)
具體如下:
Jane Eyre is a strong, simple, hard and soft, independent and enterprising woman. She was born humble and looked ordinary, but she didn't feel inferior.
簡·愛是一個性格堅強,朴實,剛柔並濟,獨立自主,積極進取的女性。她出身卑微,相貌平凡,但她並不以此自卑。
She despised the arrogance of powerful people and laughed at their stupidity, showing her self-reliance and self-improvement personality and beautiful ideal. She has tenacious vitality, never bows to fate, and finally has the beautiful life she yearns for.
她蔑視權貴的驕橫,嘲笑他們的愚笨,顯示出自立自強的人格和美好的理想。她有頑強的生命力,從不向命運低頭,最後有了自己所嚮往的美好生活。
Jane Eyre lives in an environment where her parents are dead and depend on others. Since childhood, I have had different experiences from my peers: the dislike of my aunt, the contempt of my cousin, the insult and beating of my cousin. But she did not despair, she did not destroy herself, she did not sink in insult.
簡·愛生活在一個父母雙亡,寄人籬下的環境。從小就擁有著與同齡人不一樣的遭遇:舅母的嫌棄,表姐的蔑視,表哥的侮辱和毒打。但她並沒有絕望,她並沒有自我摧毀,並沒有在侮辱中沉淪。
On the contrary, all kinds of misfortunes return Jane Eyre's infinite confidence, but Jane Eyre's indomitable spirit, an invincible internal personality power. She thinks about her destiny, value and status, has a rational understanding of her thoughts and personality, and has a firm pursuit of her happiness and emotion.
相反,種種不幸的一切,換回的卻是簡·愛的無限信心,卻是簡·愛的堅強不屈的精神,一種不可戰勝的內在人格力量。她對自己的命運、價值、地位有著思考,對自己的思想和人格有著理性的認識,對自己的幸福和情感有著堅定的追求。
From Jane Eyre, it shows the image of today's new women: self-esteem, self-respect, self-reliance and self-improvement, and the firm ideal and persistent pursuit of their own personality, emotion, life, judgment and choice.
從簡愛身上,表現出當今新女性的形象:自尊、自重、自立、自強,對於自己的人格、情感、生活、判斷、選擇的堅定理想和執著追求。