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澳大利亞的電影英文

發布時間:2022-08-23 07:33:21

『壹』 電影 澳洲亂世情 (澳大利亞)英文簡介

Plot

In 1939, Lady Sarah Ashley (Nicole Kidman) travels from England to northern Australia to force her (in her opinion) philandering husband to sell his faltering Australian cattle station, Faraway Downs. Her husband sends an independent cattle drover (Hugh Jackman), called simply "Drover", to Darwin to transport her to Faraway Downs. Lady Sarah's husband, who has been working hard to sell 1500 head of cattle to the military, is murdered shortly before she arrives. Meanwhile, treacherous FD cattle station manager Neil Fletcher (David Wenham) is trying to gain control of Faraway Downs, so that neighboring Lesley 'King' Carney (Bryan Brown) can have a cattle monopoly in the Northern Territory, which will give him negotiating leverage with the Australian army. Fletcher also claims to Lady Sarah that the murderer of her husband is an Aboriginal elder with magical powers, "King George" (David Gulpilil).

The childless Lady Sarah is captivated by the young boy Nullah (Brandon Walters), who was born to an Aboriginal mother and an unknown white father. Nullah tells her that he has seen her cattle being driven onto Carney's land — in other words, stolen from her. Because of this, Fletcher mistreats Nullah and threatens him and his mother, after which Lady Sarah fires Fletcher and decides to try and run the cattle station herself. When Nullah and his mother hide from the white authorities by entering a water tower, his mother drowns. Lady Sarah comforts Nullah by singing the song "Over the Rainbow" from the film The Wizard of Oz. Nullah tells her that "King George" is his grandfather, and that like "King George" he too is a "magic man".

Lady Sarah persuades Drover to take the cattle to Darwin for sale. Drover, a white man, is friendly with the Aborigines, and therefore shunned by many of the other whites in the territory. It is revealed that he had married an Aboriginal woman, but she had died after being refused medical treatment in a local hospital because of her race. Drover leads a team of six other riders, including Lady Sarah, Drover's Aboriginal brother-in-law Magarri (David Ngoombujarra), Nullah, and the station's accountant Kipling Flynn (Jack Thompson), to drive the 1,500 cattle to Darwin. Carney's men set large fires to make the cattle stampede, and Flynn is killed. However, at the last minute, Nullah stops the cattle from stampeding over a cliff, by apparantly using magic learned from his grandfather. Lady Sarah and Drover develop a romance, and she gains a new appreciation for the Australian territory. But Carney's men poison all the water sources along the cattle-drive route, so the group risks driving the cattle through the dangerous Never Never desert, which they accomplish with the help of "King George". Then, when at last delivering the cattle in Darwin, the group has to race them onto the ship before Carney's cattle are loaded.

Two years pass and Lady Sarah, Nullah, and Drover live together happily at Faraway Downs. However, Fletcher kills Carney and frames it as a tragic accident, marries his daughter Cath Carney, takes over Carney's cattle empire, and then continues to menace Lady Sarah. It is determined that Fletcher was the actual murderer of Lady Sarah's husband, and that Fletcher is also almost certainly the father of Nullah. Nullah is drawn to perform a ceremonial coming-of-age walkabout with his grandfather "King George", but is instead captured by the authorities and sent to live on Mission Island with the rest of the half-Aboriginal children (bbed the "Stolen Generations"). Lady Sarah vows to find him again somehow, but first works as a radio operator in Darwin ring the escalation of World War II. When the Japanese attack the island and Darwin in 1942, Lady Sarah fears that Nullah was killed.

Drover, who had quarrelled with Lady Sarah and had gone droving apparently never to return, hears (mistakenly) that she has been killed in the bombing of Darwin. (It is later revealed that the dead woman thought to be Sarah is in fact Catherine Fletcher, who had volunteered to take Sarah's shift at army radio headquarters so Sarah could go to Nullah earlier.) Drover finds out about Nullah's abction to Mission Island, and sets out with Magarri and Ivan (the hotelier) to rescue Nullah and the other children from the island using a sailboat. Magarri sacrifices himself to buy the others more time ring the escape, and is shot by the Japanese. The others all make it safely back to Darwin. Meanwhile, Lady Sarah has sold Faraway Downs to Fletcher, and is leaving the Northern Territory that morning, since she believes there is nothing more to hold her there. But when Drover and the children sail back into port at Darwin, Nullah plays his harmonica with the tune of "Over the Rainbow". Lady Sarah hears the music, abandons her trip, and the three are reunited. Fletcher, who knows Nullah is the one link to his disreputable past that can ruin him, and rails that the boy must have cursed him, attempts to shoot Nullah, but is speared by King George and falls dead. Lady Sarah, Drover, and Nullah return to the safety of remote Faraway Downs. On the way back to Faraway Downs, King George calls for Nullah, his grandson, to go walkabout. Lady Sarah embraces Nullah and then lets him go to his grandfather, who explains now they will return to his land, and then looking at Lady Sarah, says "our land".

『貳』 有什麼電影是澳洲本土的電影要講澳洲口音英語的

占水師,澳洲拍攝的

『叄』 求電影《澳大利亞》的英語影評

Australia
Proction year: 2008
Country: Rest of the world
Cert (UK): 12A
Runtime: 165 mins
Directors: Baz Luhrmann
Cast: Ben Mendelsohn, Bill Hunter, Bryan Brown, David Gulpilil, David Wenham, Hugh Jackman, Nicole Kidman

The ambitious, not to say hubristic, title Australia brings to mind the blockbuster novels of James A Michener that took a place (Hawaii, Poland, Texas) and gave us its history from the Stone Age to the present, incorporating in the later stages a romantic tale of the struggles of three or four generations. Baz Luhrmann does something vaguely like this by having a 12-year-old Aboriginal boy steeped in the lore of his people narrate the story, though the setting is confined to the Northern Territory and the time frame a mere three years from the outbreak of war in 1939 to the Japanese air raids on Darwin in 1942. But a condensed TV mini-series is nearer the mark.
Australia is populated by faces made familiar by Australian films of the past 40-odd years - Ray Barrett, Jack Thompson, Bryan Brown, Bill Hunter, Tony Barry, David Gulpilil among them - and in a superficial way it revisits the heroic period of Australian cinema in the 1970s and 80s. That was when Peter Weir, Fred Schepisi, Bruce Beresford and others were exploring - in movies like Picnic at Hanging Rock, The Chant of Jimmie Blacksmith and Gallipoli - such pressing issues as the relationship of white Australians to this mysterious new land, guilt over the treatment of dispossessed natives, the burden of cultural inferiority and the shaping of a national identity. The next wave of film-makers turned away from these big subjects, focusing on comedies and small-scale dramas of suburban life.

Luhrmann's Strictly Ballroom was a major example of this new antiheroic cinema and his next two movies - a Romeo and Juliet set in Latin America and the musical extravaganza of fin-de-siècle Paris, Moulin Rouge - took him into worlds of artifice far removed from everyday life. But Australia isn't really taking up the themes that once made Australian cinema so vital. It's imposing Hollywood styles and forms on the Australian experience and it falls into two distinct parts, the first a western, the second a war movie.

Australian film historian Brian McFarlane coined the term "wallaby western" to describe Outback adventures inspired by the Hollywood horse operas that have been a regular feature of cinema Down Under since the silent days. In Luhrmann's film, Nicole Kidman plays Lady Sarah Ashley, a parodic British aristocrat who flies in September 1939 to Australia, where her errant husband runs a cattle station in the Northern Territory. Meeting her in Darwin to escort her to the farm is "the Drover" (Hugh Jackman), a tough, independent wrangler.

They correspond exactly to the haughty East Coast sophisticate arriving on the American frontier with her fancy city ways and the plainspoken cowboy at home on the range, so often played by Maureen O'Hara and John Wayne. Initially hostile to each other, the pair develop a mutual respect and romance inevitably follows. This occurs when Lady Ashley's husband is found dead (murdered by thugs employed by a rival cattle baron) and to save the station's fortunes, she and the Drover must take a herd hundreds of miles to be shipped out of Darwin.

Two major Wayne westerns are here brought together - Red River and The Cowboys - and in an exciting, melodramatic manner the cattle drive takes place over awesome terrain to music that echoes familiar scores by Dmitri Tiomkin and Elmer Bernstein. A subplot centres on Lady Ashley's protective relationship to the narrator Nullah (affectingly played by Brandon Walters), a half-Aboriginal boy. She attempts to save him from being sent by law to a mission school and raised as a déraciné white child. This parallels the half-Indians torn between conflicting cultures in the western.

The war movie genre forms the second half of Australia. The escalation of hostilities following Pearl Harbor coincides with the deep-dyed villain conspiring to have Nullah taken into custody. As European children are sent south from Darwin for safety, Nullah and other half-Aboriginal orphans are dispatched to a mission island near Darwin that puts them directly in harm's way.

Fortunately, Lady Ashley, having separated, à la Scarlett and Rhett, from the Drover, has left her equivalent of Tara to do her bit for the war effort in Darwin. While they rush around trying to save Nullah, one mini-climax follows another as the Japanese air force attacks the city and their army lands on the orphans' island. At this point, Luhrmann evokes From Here to Eternity, Pearl Harbor, Gone With the Wind (the burning of Atlanta and its aftermath) and wartime anti-Japanese action movies.

It is all absurd, and yet absurdly entertaining, the stylised special effects adding to the weirdly unreal feeling. But you don't go to Baz Luhrmann expecting to find Patrick White, any more than you buy a ticket for South Pacific expecting to experience The Naked and the Dead. Meanwhile, the numinous presence of the Aboriginal shaman, Nullah's grandfather King George (David Gulpilil), and the movie of The Wizard of Oz hover over the picture. Lady Ashley cheers up Nullah on the cattle drive by telling him the story of Dorothy's quest and singing a half-remembered version of Over the Rainbow; later, Nullah sees the movie at an open-air cinema. As Baum's Oz meets Baz's Oz, "dream time" merges into the Hollywood cliche of "living your dream".

The movie ends with Nimrod from Elgar's Enigma Variations accompanying Nullah on walkabout with King George. The world is at war, but Europe and Australia, city and country, past and future are at peace as the Drover and Lady Ashley embrace in their outback paradise. When they marry, will she be called Lady Drover?

『肆』 澳大利亞的電影

最新的 澳洲亂世情
《舞出愛火花》(1992),《無法無天》(1992),《穆麗爾的婚禮》(1994),《鋼琴別戀》 (1993)《沙漠妖姬》(1994)和《閃亮的風采》。

『伍』 請教一個譯製片的名字

荒野有情天,澳大利亞老電影。

英文名: The Earthling

中文名: 天涯一孤雛 | 荒野有情天

導 演: ( Peter Collinson )

主 演: (威廉·霍爾登 William Holden) ( Rick Schroder) (傑克·湯普森 Jack Thompson) ( Olivia Hamnett) ( Alwyn Kurts) ( Pat Evison)

上 映: 1980年07月24日

一個四處漂泊的男人,希望在最後的時光中,找尋生命的意義。在荒野中碰到一個父母意外喪失小孩,由於所剩生命無多,他所能做的就是盡量教導這孤苦無依的孩子,在大自然中的求生之道……
第一次這個不輕易流露感情的男人,親身體驗到愛的關懷,這個嬌生慣養的小孩也因此學習到一生永難忘懷的獨立精神。

『陸』 有什麼好看的澳大利亞電影嗎拜託各位了 3Q

[鋼琴課]The Piano 澳大利亞 1993 鋼琴,啞女,一段異乎尋常、卻震撼人心 [綠卡]Green Card 澳大利亞 1990 浪漫,輕快,迷人,一部具有歐洲風味的美 艾米 舞出愛火花 1992 深夜中的呼喚 糖果 穆麗爾的婚禮 加里波底戰役

『柒』 幫忙找一下電影《Australia》的英文簡介,而且要用中文翻譯過來。不要太長,300詞以內就夠了

"Australia" is Baz Luhrmann's first feature film since the 2001 musical success Moulin Rouge! The highly anticipated film centres on an English aristocrat in the 1930s, played by Nicole Kidman, who comes to northern Australia to sell a cattle property the size of Belgium. After an epic journey across the country with a rough-hewn drover, Hugh Jackman, they are caught in the bombing of Darwin ring World War II. Filming began late April 2007 & concluded December 19th 2007. The film was released November 26 2008.

『捌』 澳大利亞電影的介紹

Aodɑliyɑ diɑnying 澳大利亞電影 Australia, cinema in 1896年 8月在墨爾本的歌劇院首次放映了英國人R.W.保羅攝制的關於倫敦威斯敏斯特橋的紀錄短片。同時,法國盧米埃爾兄弟派出的攝影師在墨爾本拍攝了一部紀錄片,反映盛大的墨爾本杯賽馬活動。這部影片在墨爾本和悉尼上映達 3個月之久,是外國人在澳大利亞拍攝的最早的一部影片

『玖』 求一部澳大利亞電影

中文名:潛龍轟天2-暴走潛龍
英文名:Under Siege 2: Dark Territory
主演: 斯蒂芬·西格爾 Steven Seagal
埃里克·勃格森 Eric Bogosian
埃弗里特·麥吉爾 Everett McGill
凱瑟琳·海格爾 Katherine Heigl
莫里斯·切斯耐特 Morris Chestnut
彼德·格雷尼 Peter Greene
類型: 動作片 劇情片 驚悚片
地區: 美國
導演: 傑夫·墨菲 Geoff Murphy
編劇: 1.J.F·勞頓 J.F. Lawton
2.理查德·哈特姆 Richard Hatem
年份: 1995年7月14日
語言: 英語/中文字幕
格式:DVD-RMVB
鏈接:http://www.imdb.com/title/tt0114781/
劇情介紹:
前海軍特種部隊教官賴基斯約定與侄女一起度假,希望藉此緩解他們之間的矛盾。卻不料他們乘坐的火車被瘋狂的科學家鄧查維夥同特種部隊潘上校劫持。他們將乘客扣作人質,並將火車改裝成具備反偵察裝置的電腦控制中心,通過它掠奪了國防部布置在外太空的一枚超極粒子束武器的同步衛星「游牧者一號」。鄧查維利用束子激光武器對空中和地面目標實行瘋狂打擊,並向政府勒索10億美元。 賴基斯躲過了劫匪的搜查,巧妙利用電腦將信號發送出去。
同時,他自製炸彈,在車廂和車頂與劫匪展開了游擊戰。國防部決定用反衛星導彈摧毀已無法控制的「游牧者一號」,但只不過擊中了假目標。鄧查維在太空共設有50個假目標,根本無從確定真正的目標位置。而這時,鄧查維已將下一個攻擊目標鎖定了華盛頓首府,並開始了40分倒數。國防部終於收到了賴基斯的訊息,並從中確定了列車的方位,在無計可施的情況下,只好決定將火車與人質一同摧毀。不料派去執行任務的兩架最先進的F-117隱形戰機在粒子武器下不堪一擊。國防部徹底一籌莫展,只能寄希望於賴基斯能制止鄧查維。華府高層領導人物開始向外疏散,准備承受致命打擊。賴基斯機智靈活地與劫匪周旋,進行逐步殲滅,最終在侍者的幫助下使載有人質的車廂脫離,而他還必須前去摧毀控制系統並解救侄女。鄧查維改變了行進軌道,讓這列火車與另一列油罐車相撞,賴基斯必須在短時間內完成任務。他最終殺死了劫匪頭領潘上校和鄧查維,在最後幾秒種內擊毀了電腦自控系統。國防部立即對恢復控制的「游牧者一號」執行了自爆程序,華府總算保住了,而賴基斯與侄女也在危急時刻逃離了列車,登上了直升機。
在哥哥公墓前,賴基斯終於和侄女和解了,一家人歡欣地擁抱在一起 。
製作背景:
史蒂文·西格飾演的廚師凱西雷貝克曾成功地解救了恐怖分子劫持軍艦的危機,這一次他換了個場地發揮,改在一列行駛於「黑暗疆域」的高速火車上對付暴徒。雖然本片故事公式化,但導演安德魯·戴維斯處理動作場面出色,使整個解救危機的過程顯得緊湊驚險,娛樂性頗高。驚險緊張的追逐、出奇不意地突襲、 激烈危險的槍戰,以及飛機爆炸,火車相撞等一系列宏 大壯觀,令人目瞪口呆的驚險場面,為影片增色不少。
《暴走潛龍》評析:
《暴走潛龍》是《潛龍轟天》的第二集,它承接了主人公賴基斯的冒險解救故事,又是一部驚險刺激的動作大片。
影片設置了新的場景,科學家通過電腦來控制外太空的一顆毀滅性武器衛星,以此實現自己的野心,並索取巨額金錢。這種不可思議的瘋狂行動,為影片提供了新奇的立意。此外,驚險緊張的追逐、出奇不意地突襲、激烈危險的槍戰,以及飛機爆炸,火車相撞等一系列宏大壯觀,令人目瞪口呆的驚險場面,為影片增色不少。同時,觀眾不難體驗到一種對科技進步相伴而來的極度恐慌。一個遠在外太空的衛星,憑借先進的科技,居然可以把地面上一個人的身體部分觀察得如此詳細,清晰的就好象是在他身前一米的地方牡惱掌�U庵指嚦萍?到底是人類的幸抑或不幸?一個瘋狂的科學家只利用一台電腦,就可以闖入國防網路,從而控制這個超級武器肆意妄為,製造戰爭恐怖。人類的命運到底會走向什麼方向,什麼地步?
賴基斯的扮演者史蒂文·西格是影壇的幸運兒,他所拍的影片很受美國軍方支持,慨然出借大量先進裝備進行實拍。他本人在影片的表現極為出色,因為他用的 是真功夫,這也是他成為動作明星的一個資本吧。

『拾』 以澳大利亞為背景題材的電影

《澳大利亞》

導演:巴茲·魯赫曼
主演: 妮可·基德曼
休·傑克曼
大衛·溫漢姆

類型: 冒險/西部/戰爭/劇情
國家/地區:美國/澳大利亞
片長:165分鍾
上映日期:2008年12月25日 香港美國
對白語言:英語
發行公司:20世紀福克斯
官方網站:http://www.australiamovie.com/

《澳大利亞》中所講述的那個滿是傳奇和浪漫情愫的動作歷史故事,發生在瀕臨於二戰邊緣的澳大利亞,那裡有一座被襲擊了珍珠港的日軍炸掉的城市--達爾文。影片的編劇兼導演巴茲·魯爾曼(Baz Luhrmann)借機描繪了一幅宏大的史詩畫面,就像澳大利亞這個國家一樣,散發出永久的傳奇氣息。一直以來,魯爾曼都將澳洲大陸當成這個世界擁有著最偉大的邊境線的地界,他說:「對於其他地方來說,澳大利亞是一個非常遙遠、非常遙遠的國度,這是一種與生俱來的認知問題……比如說在《走出非洲》(Out of Africa)中,影片一開始的時候就出現了一句非常有針對性的對白,當卡琳·布里克森發現她的丈夫有婚外情了,她說,『我要逃走,我可能會去任何地方,非洲、澳大利亞……好吧,我應該不會去澳大利亞。』」

《骯臟的交易》

這是1969的悉尼。巴里在城裡經營著賭博、嫖娼和其它強取豪奪的不正當買賣。美國大兵在越戰間隙紛紛湧入此地休假,巴里的收入也因此而源源不斷。巴里紅火的生意引起了美國黑幫的注意。托尼和薩爾這兩個美國無賴受指派來到澳大利亞, 從巴里那裡詐取錢財。與此同時,巴里的侄子達西也結束了在越南的服役,回到悉尼開始新的生活。巴里很快發現自己在與這些嗜殺成性的美國佬周旋的同時,還要應付自己兇悍的老婆,麻煩的情人和不地道的警察雷。鏡頭的巧妙運用,黑色喜劇的形式,以匪徒作為主人公,作家兼導演戴維·凱撒在沿用昆汀·塔倫蒂諾和蓋·里奇警匪片套路的同時,還為其影片賦予了濃厚的澳大利亞色彩。

《天線》

1969年7月, 全世界通過電視目睹了阿波羅11號的登月過程。但是,若沒有澳大利亞工作者在澳大利亞東南部的帕克斯接收站對世界上最大的天線之一進行調控,人們根本無法通過電視看到這一切。《天線》是一部振奮人心,令人愉快的影片。它獲得成功的原因除了演員對角色的精彩塑造外,還有為了共同目標而奮斗其實就是生活的最高追求這一溫暖人心的主旋律。

上帝也被告》

史迪夫在澳大利亞沿海一個具有田園風光的小鎮上生活,靠打漁勉強維持生活。在一個風雨交加的下午,史迪夫的小船被雷電擊中而遭到嚴重損壞,根本無法修復。史迪夫認為保險公司一定能夠對他的損失給予賠償,一切都會不成問題。然而他卻大錯特錯了!保險公司拒絕了史迪夫的索賠要求,告訴他這次意外是「上帝的行為」。史迪夫因此作出決定:如果這次意外真的是「上帝的行為」,那麼上帝必須對他的損失負責。就這樣展開了這場小人物和強大的教會特權以及小人物和為教會服務的龐大的法律機構、保險公司之間的斗爭。在女記者安娜的幫助下,史迪夫試圖證明世間並沒有什麼「上帝的行為」。 這不過是保險公司為了拒絕賠付老百姓的索賠要求而獲取高額利潤的借口。由政治作家當·華森編劇《起訴上帝的人》是一部溫暖人心的反應人民與社會制度之間矛盾的喜劇。

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