韓國電影英文

㈠ 幾部韓片電影英文名

the
guy
was
cool
-
那小子真帥
jewel
in
the
palace-
大長今
endless
love-
藍色生死戀
my
sassy
girl-
我的野蠻女友

㈡ 韓國電影純情英文名是什麼，有人知道嗎，

韓國電影純情英文名是: Unforgettable

㈢ 韓國的英文名的男同電影

night flight吧 還不錯，小清新類型

㈣ 韓國電影熔爐的英文簡介

作為資深的韓國電影觀眾，熔爐英文版比較罕見，沒有人配音的。英文字幕的話也比較少，可以去韓國電影貼吧或者其他電影論壇求字幕。

㈤ 一個韓國電影的英文名字叫 the song of the faithful wife的

《春香傳》。

㈥ 好看的英語或韓國電影

《盜夢空間》《最後一曲》《舞出我的人生》這是英語的，《天國的郵遞員》這個是韓國的，都挺好看的。

㈦ 有誰知道韓國的電影英文名字是叫什麼還有中國的電影《暖春》，請英語達人賜教

《大叔》的英文是：The Man from Nowhere/This Man
《暖春》的比較實在，就是中文拼音 NUAN CHUN
信息都是核實過的，准確

㈧ 韓國電影孤單特工 英文介紹

http://v.ku6.com/show/CdcOHKN_GO0s7TN9aXev0A...html?ptag=vsogou 元斌電影《孤膽特工》(大叔) 影迷做的英文預告片
Live in a small girl millet (Kinsey nylon) next to the pawnshop uncle (won bin), in addition to the business and neighbors never going back and forth, the modelling of decadence and silent character let people have many doubts about his identity.Naive millet never ignore these rumors, often visit the mysterious neighbors have to make them slowly become friends.Millet mother implicated in drug gang rob, eventually make themselves and millet in danger.Witnessing millet and uncle pawnshops in order to save the mother kidnapped millet and mother, began to struggle and Mafia.At this point, the police are investigating the case, uncle pawnshops yuan's true identity rose to the surface of the metal.Removed all valuable parts of millet mother's body was found in the trunk of a car, however, together with her missing millet is still missing...

㈨ 釜山行電影的英文名字

中文名
釜山行
外文名
부산행，Train to Busan
其它譯名
屍速列車(台)、屍殺列車(港)
出品時間
2016年
出品公司
Red Peter Film
發行公司
N.E.W.
製片地區
韓國
拍攝地點
韓國釜山
拍攝日期
2015年4月至8月
導 演
延相昊
編 劇
延相昊、朴柱石
類 型
恐怖、災難
主 演
孔劉，馬東錫，鄭有美，崔宇植，安昭熙，金秀安
片 長
118分鍾
上映時間
韓國2016年7月20日
分 級
韓國15歲以上觀看
對白語言
韓語
色 彩
彩色
imdb編碼
tt5700672
主要獎項
第69屆戛納國際電影節午夜展映單元

㈩ 求韓國電影《雛菊》的英文評論或介紹

Review：

PanAsia lives with Daisy. This ballyhooed Korean film screams quality from the get-go. Not only does it star the inestimable Sassy Girl herself, Jeon Ji-Hyun, but it's got a story from My Sassy Girl mastermind Kwak Jae-Yong, plus it features a killer o of actors in Jung Woo-Sung and Lee Sung-Jae. The crossover occurs with Hong Kong director Andrew Lau, who's been on an insane streak since he made the Infernal Affairs series and Initial D. The Amsterdam location and genre-friendly hitman-with-a-heart storyline only intensify any notion of this being a must-see Asian film. Better check those expectations pronto; the actors are fine and the film looks great, but that's as good as it gets.
Jeon Ji-Hyun is Hye-Young, a young painter who works at her grandfather's antique shop in Amsterdam, and makes some money on the side sketching portraits for tourists. She ends up falling in love with Jeong-Woo (Lee Sung-Jae), who she mistakenly believes to be the guy who sends her daisies on a weekly basis. Jeong-Woo is actually an Interpol agent specializing in Asian criminals, and not a daisy-delivering romantic, though his growing affection for Hye-Young makes it hard to come clean. Jeong-Woo also must eventually face off against the real daisy guy: Park-Yi (Jung Woo-Sung), a soulful hitman who has pined for Hye-Young ever since he spied her painting daisies in the countryside. Through myriad manufactured circumstances, the two men meet and become rivals over love and the law. Meanwhile, Hye-Young cries in the background, clueless as to who her promised daisy guy really is.
If you're looking for good filmmaking, you just might join Hye-Young in her tears. While possessing stunning proction values and some fine performances, Daisy goes to hell pretty damn quick thanks to superficial direction, obvious voiceover, and events that are mind-blowing in their sheer stupidity. The film starts promisingly enough. The characters are introced effectively, and the first action sequence is kinetic and exciting. The actors are charismatic and likable, especially Lee Sung-Jae, who gives his third-wheel cop character both humanity and heart. And the location and cinematography are aces. As a music video - or a tourism commercial for Amsterdam - Daisy is supreme stuff. There may not be a better-looking movie this year.
The problem is that's all on the surface. Outwardly, Daisy presents quality, but the interior of the film is startlingly routine and even laughable. First of all, nothing is left to the viewer's imagination. Lau and his screenwriters spell everything out with copious voiceover, such that the film starts to feel like it's being recited rather than told. Also, the film is mind-numblingly serious. Daisy recalls HK flicks like The Killer and Fulltime Killer with its "soulful hitman" clichés, but unlike those films - which possessed dark wit or an enthralling cinematic verve - Daisy possesses absolutely no sense of humor, and its style is exceedingly artificial. Everything is played for such heart-rending emotional effect that you can either submit and buy into the overblown romanticism, or give up and start laughing.
Furthermore, the characters begin to act stupidly. At a certain point, they drop any pretense of logical lives, and begin to submit to some over-idealized romantic world where love controls and basically is everything. That may work in some sappy melodrama, but this is a movie with hitmen and cops, who should actually try to do their jobs instead of giving up because the Sassy Girl may prefer the other person. Also, it's all well and good to hold some romantic longing for a secret admirer who sends you daisies, but you'd think that discovering he was a hitman would give you some pause. That's not the case here. In Daisy, the idealized notion of love seems to hold amazing sway over everyone; it's like ideal love is The Force, and what The Force instructs is that your self-imagined idea of romance is more important than trivial things like laws, morality, or perhaps human life. That sounds like a great idea if the filmmakers could sell it. But they can't, and since Lau and his cohorts can't convince us that love is as powerful as Daisy purports it to be, all we're left with is a promising, but overblown romantic drama with some minor bits of effective action. We all deserve better.