蜜蜂總動員讀後感
Once upon a time there was a bee called Benson. He think that bees work too hard. But the worst thing is, people keep stealing honey from the bees. So there』s a meeting with the humans. There』s a fat guy representing the humans. They argued,talked and shouted……finially,the bees win.they got every bit of honey. The bees are very happy at first. But, there were too much honey, the bees are not working anymore. Of the bees did not work, the will be no more flowers.So every flower shop shut down in that town.
Benson got an idear he and the lady went on a plane to some other country. They bring all the flowers they can bring from that town. At last, the flowers were saved. Benson realize his troble, and everything』s saved.
B. 蜜蜂總動員對於主人公的觀後感！！！！！！！！！！！！！！！！！！！ ！！！！！！！！！！！！！！！
按人物的經歷或事件發生、發展的先後順序進行的敘述。2、倒敘：把事件的結局或事件中的突出片斷提在前面，然後再按時間順度敘述事件的發展過程的敘述。3、插敘：在敘事過程中插進另一有關事件的敘述，然後再接上原來的主線寫下去的敘述。4、補敘：對前面事件作某些補充而不發展原來情節的敘述。5、平敘：對同時發生的兩件以上的事進行分列、平列的敘述。
C. 求《蜜蜂總動員》觀後感。
1.
巴瑞從蜜蜂學校正式畢業之後，非常不想從事那份早在他出生的時候就安排好的工作，以一隻工蜂的身份製造蜂蜜。而在一個偶然的情況下他來到人類世界，被花商溫妮沙救了一命，同時也打破了蜜蜂界最大的禁忌--開口和人類說話。但隨後巴瑞卻成為了無話不談的好朋友。他於是了解人類世界，也發現了一個令所有的蜜蜂都震驚的秘密——人類偷竊蜜蜂的蜂蜜！隨後在溫妮沙的幫助下，巴瑞控告人類，並成功了。接著，因為所有的蜂蜜都物歸原主，蜜蜂們不用像以前那樣繼續生產蜂蜜，導致了全世界的植物都枯萎了。溫妮沙的花店也倒閉了。幸運的是巴瑞及時地認識到錯誤，用最後的花粉拯救了世界。
而在這片電影中令我感受到最深的卻是一個很小的細節，當溫妮沙的男友第一次看到巴瑞時，被溫妮沙救下，並對男友說：「為什麼你的生命就比他的要重要。（還是：為什麼你的生命就比它的生命值錢呢）。」當我們被外界的生物所嚇倒時（比我們弱的），總是將其打死。沒有考慮到那些生物的感受，就算是在小的生物總會有作用，說為「天生我才必有用」，所以我們應該要保護動物，在上課的時候就算遇到臭蟲，也不要大打出手。（尤其是豬王，解肢……）
2.
《蜜蜂總動員》是一部動畫片，講的是一隻叫巴里的小蜜蜂遇險時得到好心人的救助，而和人類成了朋友，又因為人們享受蜂蜜感到不公平而與人類打官司的有趣故事。
故事要從巴里上班第一天說起：巴里跟著采蜜隊飛出了蜂巢，陰差陽錯飛進了一家花店，和一個叫維納莎的姑娘成為了好朋友。因為看不慣人類食用蜂蜜而和養蜂場的人打了一場官司，在維納莎的幫助下，官司打贏了。所有的蜂蜜都物歸原主，蜜蜂有了吃不完的蜂蜜而停止工作。幾天後，世界上的花兒都枯萎了，連巴里的好朋友維納莎的花店都只好倒閉了，蜜蜂們才如夢初醒。巴里也及時地認識到了自己的錯誤，用最後的花粉拯救了世界。
看了這場電影，我明白了：大自然的安排真是天衣無縫啊！任何想破壞大自然和諧秩序的舉動都是那麼的幼稚可笑，必將遭到大自然的懲罰。同時，我也明白了：我們要象對待自己的親人和朋友一樣，對待大自然中的每一個生命！
D. 誰有《蜜蜂總動員>>的英文台詞
精彩對白Barry B. Benson：Tivo. You mean you can just freeze live TV? That's insane. Vanessa：What, you don't have anything like that? Barry B. Benson：We have "Hivo", But it's a disease. It's a horrible, horrible disease.巴瑞·B·拜森：數字錄像機？你是說你能夠把活人固定到電視里？太瘋狂了。溫妮沙：怎麼？你們沒有類似的產品嗎？巴瑞·B·拜森：我們有"Hivo"，但那是一種傳染病，一種非常、非常可怕的傳染病。The way we work may be a mystery to youMaking honey takes a lot of bees doing a lot of small jobsBut let me tell you about a small jobIf you do it well, it makes a big difference[1]More than we realized. To us, to everyoneThat's why I want to get bees back to working togetherThat's the bee way! We're not made of Jell-O！
E. 名著讀後感，或英語電影影評，1000字以上,要英文的，三篇……謝謝
平凡的世界》名著讀後感
勞動著是幸福的，無論在哪個時代。《平凡的世界》正白紙黑字的告訴我們這樣的人生真諦。它響亮的提出，人，無論在什麼位置，無論多麼貧寒，只要一顆火熱的心在，只要能熱愛生活，上帝對他就是平等的。只有作一名勞動者，不把不幸當作負擔，才能去做生活的主人，用自己真誠的心去體驗，畢竟生命屬於我們只有一次。 這是一部用生命來寫成的書。在亘古的大地與蒼涼的宇宙間，有一種平凡的聲音，盪氣回腸。 -------------------------------------------- 《平凡的世界》的作者是路遙。當代作家。路遙的小說多是農村題材，擔又不局限於農村生活的描寫和城市「交叉地帶」發生的人和事。特別是著重表現年輕人的生活，通過他們愛情的波折反映出新生活中一代年輕人的價值觀。 《平凡的世界》時間跨度是七五年至八五年。發生地點在廣袤的黃土高坡上一個叫做雙水村的地方。基本上整部小說是寫雙水村的變化和雙水村的人。在這個十年裡，中國又發生了驚天動地的變化。雙水村及雙水村的人是中國和中國人民的縮影。在那段年代裡，文化革命結束了，鄧小平上台執政帶來了改革開放。 裡麵包含了當時社會生活的方方面面。路遙是想用一種現實主義的筆法細致的勾勒出一幅宏大的社會畫卷。在裡面各個階層不論性格面貌的人物都栩栩如生。這是很重要的一點，因為路遙的精湛的小說功底，極其嚴肅的寫作態度，使這部小說具備了作為那一段歷史最好的輔助教材。 這部小說給我最大的教育意義則是一種對農民的深刻理解。現代城市年輕人可能很難真正理解農民。農民的生活，農民的想法。農曾經過的日子，農民現在和未來他們也不會關心。但是間接知識也能夠貸給我們啟示和觸動。這就是《平凡的世界》。小說能夠深刻的反映農民的生活和喜怒哀樂，讀完這些小說從某個意義上說我們也經歷過了那個時代，也曾在田中揮汗如雨。這些書的現實意義在於中國的現狀，在於歷史的延續，在於未來的展望和我們年輕人自身的提高：對人性的理解，對中國的理解，對構成中國大地那一片片生命陸地的人們的理解。 另外一個方面，我很喜歡路遙的出發點——平凡的世界。他的世界是平凡的，這只是黃土高原上幾千幾萬 座村落中的一座。但路遙卻在平凡中看到了他的主人公的不平凡。比如說孫少平，他受過了高中教育，他經過自學達到可與大學生進行思想探討的程度。作者賦予了這個人物各種優良的品質，包括並不好高騖遠。在路遙的世界中出現的都是平凡的人物，這是在這些平凡的人物里他描寫著人性中的善與美，丑與惡。在他的世界裡，人的最大的優點就是認識到自己是平凡的。這點從孫少平身上得到最突出的體現，。當他得到調出煤礦來到城市的機會時，哪怕他選擇的是煤礦。這不是又無他有多高的覺悟，而是他對自己工作過的地方的熱情和眷戀。他選擇了平凡。 然而，就如薩迦格言所說的，「火把雖然下垂，火舌卻一直向上燃燒」一樣哪怕再平凡的人也應為其所生活的世界奮斗！
譯文:
Ordinary world "famous Book
Labor is the well-being, no matter which era. "Ordinary World" is in black and white to tell us the true meaning of this life. Make it loud, people, whatever the location, no matter how poor, as long as a fiery heart, as long as they can to love life, God is his equal. Only as a worker, not as a burden, unfortunately, to do the masters of life, with their hearts in good faith to experience, after all life belongs to us only once. This is a life to write a book. In ancient times the land with desolation of the universe, there is a remarkable voice,盪氣回腸. -------------------------------------------- "Ordinary world" The author is Luyao. Contemporary writers. Lu Yao's novels are mostly in rural subjects, Tam is not limited to descriptions of rural life and urban "crossroads" of the people and events took place. Performance with particular emphasis on the lives of young people, through their ups and downs of love life reflects the new generation of young people's values. "Ordinary World" is the time span from 2075 to 2085. Took place in the vast loess slope of a high double-known places where the water village. Basically, the whole novel is written in the village of al water change and two-water village. In this decade, China has earth-shaking changes have taken place. Water Village, and two pairs of the water village in China and the people are the epitome of the Chinese people. During that era, the end of the Cultural Revolution, Deng Xiaoping came to power brought about by the reform and opening up. At that time, which includes all aspects of social life. Luyao is to use the technique of writing a realistic and detailed outlines of a grand picture of the community. Inside face of all walks of life regardless of character are lifelike characters. This is a very important point, because of the superb novel Luyao good, very serious attitude toward writing, so that the novel has the best history of that period as a teaching aid. The novel gave me the greatest ecational value is a deep understanding of the farmers. Modern city may be difficult to really understand the young farmers. The lives of farmers, the farmers think. Days has been farming, the farmers now and in the future they would not care about. Indirect knowledge but also to loans to our inspiration and touch. This is the "mundane world." Novels can be a profound reflection of the lives of farmers and emotions, after reading these stories from a certain sense, we have experienced that era, also in揮汗如雨Tanaka. The practical significance of these books lies in China's status quo, is the continuation of history lies in the future and our young people to raise their own: the understanding of human nature, the understanding of China, China's vast land of movie life that people's understanding of the land . Another aspect, I like the starting point Luyao - ordinary world. His world is extraordinary, this is only the Loess Plateau on the thousands of tens of thousands of villages in a block. However, in the ordinary Luyao see his unusual character.孫少平For example, he received a high school ecation, he can be reached through self-study and college students to explore the extent of thinking. The author gives the characters a variety of excellent quality, including not ambitious. In Luyao appeared in the world are ordinary people, which is unusual in these figures, he described the good of humanity and the United States, ugly and evil. In his world, people's awareness of the biggest advantages is that they are extraordinary.孫少平body from this point the most prominent manifestation. When he got out of mine came to the city when the opportunity arises, even if his choice is mine. This is not how high he nor the consciousness, but he had worked for their enthusiasm and nostalgic places. He chose the ordinary. However, as薩迦格statement said, "Although the drop torch, flame has been burning up," even as ordinary people no longer should live in a world they struggle!
F. 寫英語蜜蜂的作文六句。急！
Bee is a kind of insect.It has a pair of wings and six legs.It has yellow and black colours.Groups of bees work together to proce honey. Their great efforts are not selfish.They are great inscets.
G. 急求三篇英文的電影觀後感大神們幫幫忙
英文影評:千與千尋(Spirited Away) Animated feature from Japanese master Hayao Miyazaki. A young girl finds herself trapped in a mystical realm, where she must find a way to save her parents - who have been turned into pigs There's something almost criminal about the way Spirited Away took over two years to reach Britain after its original Japanese release. In Japan, Hayao Miyazaki is both commercially successful (his films regularly beat box office records) and highly respected (Akira Kurosawa said: "I am somewhat disturbed when critics lump our works together. One cannot mimimise the importance of Miyazaki's work by comparing it to mine."). In Britain, however, his work has barely got more than a few cursory arts venue screenings. At least Spirited Away - which took the Berlin Golden Bear in 2002 and the Best Animated Film Oscar in 2003 - made it. Better late than never. After the stress of making his last film, 1997's Princess Mononoke, Miyazaki had a breakdown and retired. But he came out of retirement when an idea to create another, lighter film began to take shape. Princess Mononoke was an action-packed epic that ranged across 15th century Japan. For Spirited Away he returned to the quieter - but no less serious - themes that he addressed to a degree in 1988's My Neighbor Tortoro. Both films feature a family moving house, girls getting used to upheaval, and elements of 'Alice In Wonderland'. But where the 1988 film used a few specific motifs from Carroll's book (a plunge into a 'rabbit hole', a version of the Cheshire cat), Spirited Away casts its 10-year-old protagonist, Chihiro (Hragi; or Chase in the US b), fully into a Wonderland, a mystical otherworld populated by animal spirits and gods. Chihiro arrives in this realm by accident. Her parents, heading for their new home, take a road that leads into the woods. Arriving at a dead end, they walk down a corridor through a building and emerge in what dad takes to be "an abandoned theme park". It's something like a Japanese Portmeirion, but eerily deserted. While her parents greedily help themselves to food, Chihiro wanders off and meets Haku (Irino; or Marsden), a boy who warns her to leave before dark. She's too late though - a lake has appeared, blocking her route, ghostly forms have populated the town and her parents have turned into pigs. She's trapped. The only way to survive, Haku tells her, is to get work in the bath house that dominates the town. Here "eight million gods rest their weary bones", according to Yubaba (Natsuki; or Pleshette), the witch who runs the establishment. Chihiro makes her way to meet Yubaba with the help of Kamajii (Sugawara; Ogden Stiers), a multi-limbed codger who runs the boiler house, Lin (Tamai; Egan), a serving woman with a taste for "roasted newt", and even a 'Radish God', a giant sumo of a chap with tuber-like appendages. Yubaba is hardly forthcoming - her realm is "no place for humans" - but she's forced to give Chihiro work, thanks to an oath she swore. Chihiro gets work helping Lin. But the management give them the worst jobs - such as assisting a hideous oozing creature they take to be a "Stink God; an extra large stinker at that". It's an entity so foul its smell makes food rot instantaneously, while its suppurations fill the room with a noxious gloop. Chihiro - or Sen as she becomes when Yubaba takes her name as part of her contract - does get by in the bath house, but it's not without further incident. She may lose her identity, but she retains her decency. One act of kindness results in a dangerous spirit, No Face, getting into the bath house and wreaking havoc by playing on the greed of the other employees ("Gold springs from his palms!"). She even gets involved in an adventure that reveals her mysterious bond with Haku. But can she save her parents? It's often said that Katsuhiro Otomo's Akira (1988) is the greatest anime ever. That's as maybe, but every one of Miyazaki's films is a masterpiece, so it's hard to pick just one that stands out. It's also tricky to compare his works with the more traditionally received notion of anime (giant robots, demons with phallic tentacles, telekinetic fighting, atom bomb-style explosions etc). Although Miyazaki insists it's not his role to be didactic, all of his work (notably his second feature Nausicaa Of The Valley Of The Wind and Princess Mononoke) has strong messages about ecology and the human relationship with the natural world. But he's also fascinated with coming-of-age stories, notably about how girls (many of his protagonists are young females) can not only face up to alt responsibility, but also how they can become strong, principled members of society. Here Chihiro is forced to grow up fast, but the process, while gruelling, is not without real benefits, as her understanding of the way society functions and experience of alt emotions develops exponentially. Some aspects of the film are likely to be too foreign for Westerners - we're ignorant of Japanese belief systems, with their hierarchies of entities - but Miyazaki's work has the power to transcend such culturally specific elements. While many of his earlier films drew on European stories (such as 1986's Castle In The Sky, from Swift), the folkloric features he reworks are often universal. But most of all, his team's animation - here utilising more digital techniques, while still being grounded in 2D traditions - is always beautiful and, in places, breathtaking. Locations are atmospheric, details are immaculate (you can identify the flower species in the gardens) and characters are diverse. Yubaba, for example, is a bizarre creation, a stocky woman with a huge head and even bigger hairdo; the bath house itself is stocked with all sorts of weird and wonderful creatures, from a Kermit-like assistant, to creatures reminiscent of his cuddly woodland deity from My Neighbor Tortoro, to troll-like beasts that look related to Maurice Sendak's 'Wild Things'). The only factor that could be seen as mildly misjudged is J Hisaishi's score, which is overbearing in places. It's no wonder the likes of Pixar's John Lasseter (who executive proced the US b) are so full of praise for Miyazaki. He's a true genius, an artist and great filmmaker who happens to work in animation - a medium often belittled as childish in the West. Spirited Away is wonderful. 蜜蜂總動員 Bee Movie review by Roger Ebert From each according to his ability, to each according to his need. -- Karl Marx Applied with strict rigor, that's how bee society works in Jerry Seinfeld's "Bee Movie" and apparently in real life. Doesn't seem like much fun. You are born, grow a little, attend school for three days, and then go to work for the rest of your life. "Are you going to work us to death?" a young bee asks ring a briefing. "We certainly hope so!" says the smiling lecturer, to appreciative chuckles all around. One bee, however, is not so thrilled with the system. His name is Barry B. Benson, and he is voiced by Seinfeld as a rebel who wants to experience the world before settling down to a lifetime job as, for example, a Crud Remover. He sneaks into a formation of ace pollinators, flies out of the hive, has a dizzying flight through Central Park, and ends up (never mind how) making a friend of a human named Vanessa (voice of Renee Zellweger). Then their relationship blossoms into something more, although not very much more, given the physical differences. Compared to them, a Chihuahua and a Great Dane would have it easy. This friendship is against all the rules. Bees are forbidden to speak to humans. And humans tend to swat bees (there's a good laugh when Barry explains how a friend was offed by a rolled-up of French Vogue). What Barry mostly discovers from human society is, gasp!, that humans rob the bees of all their honey and eat it. He and Adam, his best pal (Matthew Broderick), even visit a bee farm, which looks like forced labor of the worst sort. Their instant analysis of the human-bee economic relationship is pure Marxism, if only they knew it. Barry and Adam end up bringing a lawsuit against the human race for its exploitation of all bees everywhere, and this court case (with a judge voiced by Oprah Winfrey) is enlivened by the rotund, syrupy voiced Layton T. Montgomery (John Goodman), attorney for the human race, who talks like a cross between Fred Thompson and Foghorn Leghorn. If the bees win their case, Montgomery jokes, he'd have to negotiate with silkworms for the stuff that holds up his britches. All of this material, written by Seinfeld and writers associated with his television series, tries hard, but never really takes off. We learn at the outset of the movie that bees theoretically cannot fly. Unfortunately, in the movie, that applies only to the screenplay. It is really, really, really hard to care much about a platonic romantic relationship between Renee Zellweger and a bee, although if anyone could pull if off, she could. Barry and Adam come across as earnest, articulate young bees who pursue logic into the realm of the bizarre, as sometimes happened on the "Seinfeld" show. Most of the humor is verbal, and tends toward the gently ironic rather than the hilarious. Chris Rock scores best, as a mosquito named Mooseblood, but his biggest laugh comes from a recycled lawyer joke. In the tradition of many recent animated films, several famous people turn up playing themselves, including Sting (how did he earn that name?) and Ray Liotta, who is called as a witness because his brand of Ray Liotta Honey profiteers from the labors of bees. Liotta's character and voice work are actually kind of inspired, leaving me to regret the absence of B.B. King, Burt's Bees, Johnny B. Goode, and the evil Canadian bee slavemaster Norman Jewison, who -- oh, I forgot, he exploits maple trees.
H. 看<<蜜蜂總動員>>觀後感
都是別人博客里的http://seater0324.blog.sohu.com/81121912.html 輕松的氛圍,像小孩子看的電影,想不到我也看下來了. 影片以蜜蜂的角度,一隻小蜜蜂,Barry,不想從事單調的一旦選擇就要一生堅守的職業崗位,於是,他決定出去外面的世界看看. 帶著勇氣與好奇,更多的是貪玩,他來到了精彩的世界,可是,他立刻就遭遇了他生命的無奈,他只是一隻小蜜蜂,小小的蜜蜂. 這時,出現了以為後來成為他好朋友的花商,她對她的男友說,:他的生命不比你卑賤,你的生命不比他高貴.」對生命的看法,賦予了人性與平等,通常人們都說,人人生來平等,現在,我們應該意識到,生命生來平等. 小蜜蜂發現了一個令他震驚憤怒的事實,就是人類在偷盜他們辛苦釀造的蜂蜜.人類圈養蜜蜂,把蜜蜂當成是賺錢的工具,並且並沒有因為創造了價值而得到應有的回報. 於是,這只不經世事的小蜜蜂,開始了為種族權利的奮斗,他想人類起訴,挑戰人類的權威. 歷經種種,他成功了.終於,蜜蜂獲得了休假的權力,並取回了所有他們的勞動成果. 這時,蜜蜂變的懶惰了,以前是2700萬年的勞碌,現在呢,除了吃還是吃,除了睡還是睡,慢慢的,世界也因為少了蜜蜂而失去了自然的平衡. 沒有了蜜蜂的勞作,沒有了花粉的傳播,花也不開了,如此惡劣的循環,預示著災難性滅亡的到來. 在是時候覺悟的時候小蜜蜂也終於意識到了自己所犯下的錯誤. 之後的搶救最後的玫瑰花,為了拯救自然而呼籲全體蜂群來合作,使無人駕駛最後生手替換的飛行員,引領著一架飛機安全降落. 人來也重新認識到了蜜蜂,不僅僅只是蜂蜜的製造器. 圓滿的落幕了,世界還是和平美好的. 生命的意義在於自己的認識,如果你沒有自己明確的目標,不知道自己想要的是什麼,就像這只小蜜蜂一樣,開始的時候對自己終身只是重復做一種工作感到無聊不解迷茫.後來,他經過了一系列的成長蛻變,了解了他工作的意義所在.如此這般,才活得有聲有色多姿多彩. 這部影片也同時展現了自然的規律是不予違反的,任何生命存在的價值都有自身奉獻的高貴. 生命生而平等.生命的存在不是為了存活,生命的價值在於快樂奉獻自身本能!在這片電影中令我感受到最深的卻是一個很小的細節，當溫妮沙的男友第一次看到巴瑞時，被溫妮沙救下，並對男友說：「為什麼你的生命就比他的要重要。（還是：為什麼你的生命就比它的生命值錢呢）。」當我們被外界的生物所嚇倒時（比我們弱的），總是將其打死。沒有考慮到那些生物的感受，就算是在小的生物總會有作用，說為「天生我才必有用」，所以我們應該要保護動物
I. 求蜜蜂總動員的英文觀後感
Recently, I saw bees Story drama, animation story is true, bee pollination craftsmen from the collection of the division after the honey was proced, and so the entire process has too imaginative. Ting vulgar or course of the story, because people have been saved by the bees. The next story will be out that the extinction of dinosaurs is because saving mankind? For example, because of dinosaurs living environment has changed, mental and reproctive capacity are beginning to decline and in the end because of a mother dinosaur stupid Skip to the volcano, henceforth divorced from the human dinosaur killing. . . Otherwise is alien to attack Earth, the Earth's dinosaurs to……