⑴ 战争片排名前十的电视剧
战争片排名前十的电视剧:
1、《雪豹》
观剧就像重温历史,很有教育意义。李云龙和楚云飞是战争年代正义力量的代表人物,是铁骨铮铮,铁血丹心的英雄,是赤胆忠心为人民的勇士。
10、《我的团长我的团》
我的团长我的团真乃旷世奇作,每个人物都有至高无上的神圣的灵魂,有优点有缺点,活生生沉甸甸,满怀热情或愤懑或赤诚地活在这个世上,无数个片段让我流泪,却又不忍用廉价的泪水轻了这部作品。这才叫,绝了!最好的抗战剧,没有之一!
⑵ 《穿条纹睡衣的男孩》:战争远比影片更让人窒息,这部影片的结局是什么呢
比起其他所有反战题材的电影,《穿条纹睡衣的男孩》拥有最讽刺,也是最残酷的结局。
布鲁诺原本就对铁丝网里的世界很好奇,他见过很多穿条纹睡衣的人,但并不知道他们是干嘛的。他常常这样坐在铁丝网外面发呆,或者与施穆尔交谈玩耍。
孩子总是单纯的,他们以绝对的善意来面对这个世界,却要去承受他的父辈酿成的恶果。
尽管《穿条纹睡衣的男孩》是以小孩子轻松的视角来讲述一个战争故事,但是它的残酷程度不亚于任何一部反战电影。
中文片名:六天七夜
更多外文片名:Six Days Seven Nights
导演:伊万·瑞特曼Ivan Reitn
编剧:Michael Browning .....(written by)
主演:哈里森·福特Harrison Ford .....uinn Harris
安·海切Anne Heche .....Robin Monroe
大卫·休默 David Schwimmer .....Frank Martin
杰奎琳·奥拉德丝 Jacueline Obradors .....Angelica
影片类型:爱情 / 动作 / 冒险 / 喜剧
片长: min
国家/地区:美国
对白语言:英语 德语
色彩:彩色
上映时间:
幅面:35毫米胶片变形宽银幕
混音:杜比数码环绕声 DTS SDDS
级别:
Singapore:PG Argentina:13 Australia:M Sweden:11 France:U Spain:T Chile:14 UK:12 Gerny:6 Netherlands:AL South Korea:15 Switzerland:7 Philippines:G Denrk:11 Belgium:KT
成本:70,,$ (estited)
摄制格式:35 mm
洗印格式:35 mm
剧情简介
[编辑本段]
奎因·哈里斯是个脾气暴躁的货机驾驶员,只管开着飞机来往运送货物,不太喜欢与人打交道。而与未婚夫一起来度假的纽约女编辑则是个话多想法也多的姑娘。这次是她长久以来盼望的度假旅行。令人扫兴的是,社通知她必须提前返回处理急务。罗宾只好用钱通奎因,搭他的货机返回大溪地。谁知,飞行被暴风雨所阻,他们被迫降落在荒无人烟的小岛上,两个人在一起共度六天七夜。经历了一系列惊险事件之后,彼此竟不可思议地相爱了......
一句话评论
[编辑本段]
After this week in paradise, they're going to need a vacation.
经过这样天堂般的一周,他们将需要一个假期的时间来恢复
幕后
[编辑本段]
哈里森·福特一向扮演忠厚正直、完全信得过的男人。这次他却一副色迷迷、醉醺醺的样子,目的是为了使女主角对他先产生反感,再则也为了稍微有别于他以前的角色。动作片中搀入不少喜剧元素,可是演酒鬼、色鬼那部分并不好笑,倒是女主角展露了充分的喜剧天才。安·海切在该片上映之前,突然宣布自己是同性恋,据说对影片的票带来负面影响。她后来已“恢复”异性恋身份。
⑷ 怎么评价电影《战狼2》
最大的亮点都是将爱国主义与动作戏结合,吴京的打戏拳拳到肉,而且各种先进武器装备轮番亮相,再加上在异国拯救同胞和难民的情节,各种大规模战争场面再现,完全击中观众的燃点。
《战狼Ⅱ》就是一部爱国主义旗帜高高飘扬的大片,冷锋再有虎胆,若无强大的国家机器作龙威,再怎么只身犯险。也无非是个人英雄主义在抖威风。该片好就好在,在枪林弹雨中,在一幕幕刺激眼球、震动耳膜的视听奇观里,俨然是个体和集体在相亲相爱,在深情相拥。
(4)这才是战争的样子毫无主角光环电影名字扩展阅读:
剧情简介:
被开除军籍的冷锋(吴京饰演)本是因找杀害龙小云的凶手(余男饰演)来到非洲,但是却突然被卷入一场非洲国家的叛乱。因为国家之间政治立场的关系,中国军队无法在非洲实行武装行动撤离华侨。
而作为退伍老兵的冷锋无法忘记曾经为军人的使命,本来可以安全撤离的他毅然决然地回到了沦陷区,孤身一人带领身陷屠杀中的同胞和难民,展开生死逃亡。随着斗争的持续,体内的狼性逐渐复苏,最终闯入战乱区域,为同胞而战斗。
⑸ 如何评价电影《第十二个人》
《第十二个人》是一部挪威电影,豆瓣7.8分,还蛮高的,挺不错的。
《第十二个人》是根据真实故事改编而来的,看完之后真的觉得里面的人活着真的太不容易了。里面还有比较多的血腥场面,如果觉得承受不了的还是放弃吧。
这部剧拍的一点都不让人觉得很油腻,相反觉得很清新,感觉一股冬天的气息扑面而来。十二个人去了,结果只有一个人活了下来,真的很不容易了。
⑹ 盘点被央视叫停的六部抗日神剧,每部都在侮辱观众的智商,是哪六部
在我国历史上,抗日战争最为重要。抗战的胜利,使我们恢复了自由,使我们的经济和社会得到了慢慢发展,使我们的国家成为今天的大国。
这部电视剧也比较奇葩,完全是男主角的个人表演,虽然看起来很过瘾,但观众可不愿意把抗日剧当作偶像剧来看。革命革命的胜利来之不易,我们支持的抗日影片越来越多,这可以让更多的孩子知道许多关于国家历史的知识。但就历史而言,那一定不能太脱离现实,超能力什么的会让孩子对身体的力量有错误的认识。
⑺ 谁能告诉我这个电影的名字!谢谢
好像就叫邮差 我看过两遍 很不错的片子
不知为什么bu找不到相关信息
有些国外的信息你看一下 确实是部不可多得的好片子 我很喜欢
The Postman (1997)
The movie is set in the year 2013, after a war has devastated America. Kevin plays the title character, who becomes the reluctant leader of the fight against the forces of destruction.
Directed by
Kevin Costner
Writing credits (WGA)
David Brin (novel)
Eric Roth (screenplay) and
Brian Helgeland (screenplay)
Cast (in credits order)verified as complete
Kevin Costner .... The Postman
Will Patton .... General Bethlehem
Larenz Tate .... Ford Lincoln Mercury
Olivia Williams .... Abby
James Russo .... Idaho
Daniel von Bargen .... Pineview Sheriff Briscoe
Tom Petty .... Bridge City Mayor
Scott Bairstow .... Luke
Giovanni Ribisi .... Bandit 20
Roberta Maxwell .... Irene March
Joe Santos .... Colonel Getty
Ron McLarty .... Old George
Peggy Lipton .... Ellen March
Brian Anthony Wilson .... Woody
Todd Allen .... Gibbs
Rex Linn .... Mercer
Shawn Hatosy .... Billy
Ryan Hurst .... Eddie March
Charles Esten .... Michael, Abby's Husband
Annie Costner .... Ponytail (as Anne Costner)
Ty O'Neal .... Drew
Kirk Fox .... Gangly Recruit
Ken Linhart .... Disappointed Recruit
Korey Scott Pollard .... Thin Recruit
Kayla Lambert .... Shakespeare Girl
Austin Howard Early .... Shakespeare Boy
Ellen Geer .... Pineview Woman
Randle Mell .... Villiage Mayor
Cooper Taylor .... Tony
Dylan Haggerty .... Slow Recruit
Michael Milgrom .... Holnist Projectionist
Keith C. Howell .... Holnist Scout
H.P. Evetts .... Holnist Soldier
Jeff Johnson .... Rope Bridge Soldier
Jeff McGrail .... Rope Bridge Soldier
Lily Costner .... Lily March
Gregory Avellone .... Pineview Man
Susan Brightbill .... Pineview Woman
Elisa Daniel .... Pineview Woman
Jenny Buchanan .... Pineview Woman
Ann Manning .... Pineview Woman
Andy Garrison .... Pineview Sentry
Rusty Hendrickson .... Pineview Minister
Marvin Winton .... Pineview Old Man
Jono Manson .... Pineview Band
John J. Coinman .... Pineview Band
Vernon T. Williams .... Pineview Band
Mark Clark .... Pineview Band
Blair Forward .... Pineview Band
Robyn Pruitt-Hamm .... Pineview Band
Michelle Ramminger .... Pineview Band
Tom Novak .... Benning Gatekeeper
Richard Joel .... Benning Gatekeeper
George Wyner .... Benning Mayor
Brooke Becker .... Benning Woman
Eva Gayle Six .... Benning Woman
Todd Lewis .... Benning Man
Joe Costner .... Letter Boy
Kathi Sheehan .... Letter Boy's Mother
Amy Weinstein .... Elvis Woman
Betty Moyer .... Elvis Woman
Joseph McKenna .... Holnist Captain
Neal Preston Coon .... Bridge City Boy
Rick Wadkins .... Bridge City Man
Shiree Porter .... Bridge City Woman
Anthony Guidera .... Bridge City Guard
Judy Herrera .... Carrier (as Jade Herrera)
Greg Serano .... California Carrier
Derk Cheetwood .... Carrier 12
Mark Thomason .... Alt Letter Boy
rest of cast listed alphabetically:
Stanton Barrett .... California Career (uncredited)
Lester Berman .... Cook (uncredited)
Tom Bower .... Larry (uncredited)
Gordon Frye .... Holnist Cavalry Captain (uncredited)
Nancy Frye .... Town Cavalry (uncredited)
Patric Johnstone .... Holnist Cavalryman (uncredited)
James Marks .... Holnist First Sergeant (uncredited)
Mary Stuart Masterson .... Hope, Postman's Daughter (uncredited)
Chris Orf .... Conscript (uncredited)
Tarah Paige .... Gas Station Attendant (uncredited)
Brandon Tyler .... Postal Recruit (uncredited)
Proced by
Lester Berman .... line procer
Kevin Costner .... procer
Steve Tisch .... procer
Jim Wilson .... procer
Original Music by
James Newton Howard
Non-Original Music by
John Sebastian (song "You Didn't Have to Be So Nice")
Cinematography by
Stephen F. Windon (as Stephen Windon)
Film Editing by
Peter Boyle
Regina Prosi-Bassman
Casting by
Mindy Marin
Proction Design by
Ida Random
Art Direction by
Derek R. Hill
Scott Ritenour
Set Decoration by
Ronald R. Reiss (as Ron Reiss)
Costume Design by
John Bloomfield
Makeup Department
Elle Elliott .... hair stylist: Mr. Costner
Steve LaPorte .... makeup artist
JoJo Myers Proud .... makeup artist
Francisco X. Pérez .... makeup supervisor
Loretta James-Demasi .... additional makeup artist (uncredited)
Proction Management
Lester Berman .... proction manager
Donna E. Bloom .... proction manager: second unit (as Donna Bloom)
Debbi Bossi .... post-proction supervisor
Todd Lewis .... proction supervisor
Second Unit Director or Assistant Director
Michael H. Anderson .... first assistant director: second unit (as Michael Anderson)
Kevin Duncan .... second assistant director
Eric Fox Hays .... second assistant director: second unit
Joe Lotito .... second second assistant director
Dennis Maguire .... first assistant director
Jayson Merrill .... second assistant director
Nick Satriano .... second second assistant director
Charles Simmers .... additional second assistant director (as Chuck Simmers)
Alexander Witt .... second unit director
Art Department
Kirsten Anderson .... construction accountant
Adam Austin .... set dresser
Richard Baum .... assistant property master
Richard Baum .... property master: second unit
Thomas Betts .... set designer
Robert A. Blackburn .... construction coordinator
Lloyd A. Buswell .... construction foreman
Charisse Cardenas .... set designer
Robert DeSue .... carpenter
Ken Erck .... set painter
Sean Haworth .... set designer
Derek R. Hill .... supervising art director
Jeff Khachadoorian .... prop shop
Todd McKibben .... construction foreman
Greg McMickle .... property master: second unit
'Butch' Montgomery .... set carpenter
James J. Murakami .... set designer
John M. Oswald .... prop builder
Kristen Spinning .... painter
Kristen Spinning .... stand-by painter
Mike Stassi .... set designer
Bill Taliaferro .... set designer
Jana Treadwell .... set dresser
Tom Ward .... propmaker
Darrell L. Wight .... set designer (as Darrell Wight)
Dylan Martens .... art department assistant (uncredited)
Sound Department
Paul Aulicino .... assistant sound editor
Lance Brown .... sound designer
David E. Campbell .... sound re-recording mixer (as David Campbell)
Kevin E. Carpenter .... sound re-recording mixer
Bradley Clouse .... sound assistant
Kay Colvin .... utility sound
Zack Davis .... adr editor
Marc Deschaine .... adr assistant
Michael Dressel .... supervising foley editor
Kirk Francis .... sound mixer
Dana LeBlanc Frankley .... assistant sound editor (as Dana LeBlanc)
Jeffrey J. Haboush .... sound re-recording mixer
Kimberly Lowe Voigt .... dialogue editor
Anthony Milch .... sound editor
Shawn Murphy .... score mixer
Steve Nelson .... sound effects editor
Jay Nierenberg .... sound editor
David Novack .... sound re-recording mixer
David Olson .... music editor
Troy Porter .... adr mixer
John T. Reitz .... sound re-recording mixer (as John Reitz)
Gregg Rudloff .... sound re-recording mixer
Mychal Smith .... boom operator
Bruce Stambler .... supervising sound editor
Becky Sullivan .... supervising adr editor
Robert Troy .... dialogue editor
Jim Weidman .... supervising music editor
Bernard Weiser .... sound editor
Marshall Winn .... sound editor
Mark Johnston .... sound recordist (uncredited)
Carolyn Tapp .... foley recordist (uncredited)
Special Effects by
Clifton Dance .... special effects assistant (uncredited)
Visual Effects by
Alfredo R. Barcia .... film recording technician: SPI
Max Bruce .... digital artist
Tim T. Cunningham .... proction assistant: Cinesite
Charles Darby .... digital matte supervisor
Scott Dougherty .... visual effects procer: Cinesite
Sheena Duggal .... co-visual effects supervisor: SPI
Thomas F. Ford IV .... high speed compositing technical coordinator
Anthony Harris .... timing coordinator
Petra Holtorf .... visual effects coordinator
Sho Igarashi .... technical designer
Chris Johnson .... second assistant camera: visual effects unit
David Jones .... CG supervisor: SPI
Karen Klein .... roto supervisor
Martin A. Kline .... visual effects art director
Apryl Knobbe .... texture/matte painter
John Charles Kohn .... compositor: cineon
John Charles Kohn .... digital compositor
Vincent Lavares .... technical assistant supervisor: Cinesite Hollywood
Jennifer Law-Stump .... digital effects artist: Pacific Title Digital
Gregory D. Liegey .... composite supervisor
Craig Mathieson .... digital compositor
L. Patrick McCormack .... visual effects coordinator
Valerie McMahon .... digital artist
Hal Miles .... digital artist
Elizabeth Moore .... digital compositor
Sean O'Connor .... digital compositor
Corinne Pooler .... digital artist
David Rey .... digital compositor
Jay Riddle .... visual effects supervisor
Dylan Robinson .... digital artist
Stephen Rosenbaum .... visual effects supervisor
Candice Scott .... digital effects compositor
Craig A. Simms .... digital compositor
Aaron Smith .... digital artist
Thomas J. Smith .... visual effects plate supervisor: Cinesite
Tiffany Smith .... visual effects proction assistant: Cinesite
Paul Taglianetti .... visual effects procer
Tracy Takahashi .... visual effects associate procer: Cinesite
Daniel E. Teaze .... first assistant camera: visual effects unit
Philipp Timme .... cinematographer: VFX
Amy Tompkins .... visual effects editor
Robert Winter .... senior technical assistant
Ted Andre .... digital compositor (uncredited)
Tim Gibbons .... digital rotoscope artist (uncredited)
Bernice Kenton .... visual effects vendor procer (uncredited)
Tim Ketzer .... computer graphics animator: Cinesite (uncredited)
Roger Kupelian .... matte painter (uncredited)
Paul McGhee .... film scanning and recording (uncredited)
Lance Powell .... technical coordinator (uncredited)
Stunts
Julie Adair .... stunts
Stanton Barrett .... stunts
Sandy Berumen .... stunts
Steve Bland .... stunts
Jodi Branco .... stunts
Chris Branham .... stunts
Troy Brenna .... stunts
Joe Bucaro III .... stunts (as Joey Bucaro III)
Richard Bucher .... stunts
William H. Burton Jr. .... stunts
Shay Calinawan .... stunts
John Campbell .... stunts
Chase Casson .... stunts
Steven Chambers .... stunts (as Steve Chambers)
Jeffrey J. Dashnaw .... stunts (as Jeff Dashnaw)
Sean Day .... stunts
Gil Dean .... stunts
Rick Dennis .... stunts
Kip Farnsworth .... stunts
J.R. Flournoy .... stunts
Lance Gilbert .... stunts
Kanin J. Howell .... stunts
Norman Howell .... stunt coordinator
Shawn Howell .... stunts
Lane Leavitt .... stunts
Juddson Keith Linn .... stunts
Billy D. Lucas .... stunts (as Billy Lucas)
Benny Manning .... stunts (as Benny J. Manning)
Dave Powledge .... stunts
Darrin Prescott .... stunts
Tyler Quigley .... stunts
Scott Rogers .... stunts (as Scott Rodgers)
Rod Rondeaux .... stunts
Erik Rondell .... stunts
Charlie Sammut .... stunts
Charles O. Sampson .... stunts
Brooke Sandahl .... stunts
George Smith .... stunts
Monty Stuart .... stunts
Matthew Taylor .... stunts
Ashlyn Terry .... stunts
Jesse Thomason .... stunts
Jordan Thomason .... stunts
Ryan Weiss .... stunts
Other crew
Geneviere Anderson .... proction assistant
Javier Arrieta .... costumer
Michael Baird .... video assistant
Laura Baker .... specialty costumer
Chris Bangma .... spacecam assistant
Bonnie Belknap .... food stylist
Shawn Blakeman .... lighting technician
Linda Booher-Ciarimboli .... specialty crafts supervisor
Kristie Breslin .... proction assistant
Mark Brooks .... wild animal trainer
Francie Brown .... dialect coach: Olivia Williams
Judith M. Brown .... studio teacher
Travon Brumfield .... post-proction proction assistant
Eric Budlong .... grip
David J. Buswell .... welding foreman
Mauni P. Caves .... assistant location manager
Joseph Cigliano .... specialty costumes
Iris Cole-Hayworth .... proction assistant
David Crone .... camera operator
David Crone .... steadicam operator
Tim T. Cunningham .... proction assistant: Cinesite
Sandy DeCrescent .... orchestra contractor
Brad Dechter .... orchestrator
Shawn Duchscherer .... lighting technician
Jeff Duffy .... lighting technician
Doug Ednie .... lighting technician
Julianne Eggold .... proction assistant
Jeff Enneking .... lighting technician
Audrey Evans .... first assistant film editor
Christian Feldhaus .... second assistant accountant
Cathie Filian .... key costumer
Michael Fine .... construction medic
Ken Fisher .... camera operator: second unit
Riley Flynn .... re-enactor coordinator
Megan Forste .... additional second assistant
Karen M. Fuchs .... assistant paymaster
Blanca Garcia .... set costumer
James J. Gilson .... chief lighting technician
Karen Golden .... script supervisor
Ron Goodman .... camera operator: SpaceCam
Nancy Haecker .... assistant location manager
Shannon Hamed .... assistant coordinator
Marty Heinz .... lighting technician
Mason Hersey .... first assistant camera
Lora Hingst .... casting assistant
James Newton Howard .... orchestrator
Timalee Hustin .... proction assistant
Chris Hutchins .... extras casting
David Israel .... location manager
Sally Jackson .... location casting
Joel Jaspan .... grip
Artie Kane .... conctor
Samantha C. Kirkeby .... script supervisor: second unit
David R. Kohn .... lighting technician
Al Lewis .... proction secretary
Jonathan Lucas .... associate editor
Kal Manning .... rigging gaffer
John Martens .... best boy rigging electric
Emily McGovern .... proction assistant
Meaghan F. McLaughlin .... proction assistant
Brian McMillan .... animal trainer
Tim Merrill .... dolly grip: second unit
Randy Miller .... lion trainer
Stephan Miller .... lion trainer
Jalene Murphy .... set costumer: second unit
Rick Olmos .... extras casting coordinator
Staci R. Pontins .... assistant editor
Dave Potter .... lighting technician
David Presley .... camera loader
Norbert F. Quiban .... lamp operator
Norbert F. Quiban .... rigging electrician
Damien Quinn .... costumer
Mike Revell .... proction accountant
Rebeka L. Roberts .... costume ager/dyer
Rick Roesch .... payroll accountant
Margo Romano .... assistant accountant
Leonard Romie .... lighting technician
Jonathan A. Rosenfeld .... transportation coordinator
Brooke Smiler .... proction associate
Scott Stravitz .... set medic
Kacy Treadway .... specialty costumes
Jaimie Trueblood .... still photographer
Lance Jay Velazco .... second video assist operator
Jeff Verdick .... picture car coordinator
P.W. Ward .... wrangler
Kelly Way .... lighting technician
Jennifer Webb .... proction secretary
Steven J. Winslow .... assistant camera: Wescam camera
Steven J. Winslow .... camera technician
Lisbeth Wynn-Owen .... proction coordinator
Elizabeth A. Bergman .... assistant accountant (uncredited)
Jesse Blanco .... proction assistant (uncredited)
Jennifer-Noel Dennis .... post-proction assistant (uncredited)
Ben Glass .... still photographer (uncredited)
Danny Hernandez .... electrician (uncredited)
⑻ 5部评分最高的抗日剧,雪豹只能靠边站,最后一部才是经典之作,它叫什么
在这个娱乐至上的年代,人们往往更注重精神上的追求,上班之余最想做的事情就是追剧,中国的电视剧主要有几种类型,像偶像爱情剧,清宫剧,抗日剧!
说到抗日剧,我们国内的抗日剧特别多,而且有些抗日剧非常雷人!
不过也有几部很不错的抗日剧,每一部都是经典,比雪豹还好看!
第五部:《人间正道是沧桑》这是网友们综合评价口碑最好的抗日剧,剧中的演员大部分都是来自于《士兵突击》,个个都是老戏骨,演员将剧中的角色刻画的十分形象,战争场面也完美还原了历史,这部剧近些年来应该都不会被超越。
抛弃抗日神剧以外,像《雪豹》和以上五部作品其实都不错,你们认为哪一部剧最经典呢?
⑼ 柏林战役电影观后感
个人英雄主义是最佳电影题材,不过呢,虽然战争中所有人都很努力,并不是所有部门都能出个人英雄主义。
战斗机驾驶员和狙击手是最容易出孤胆英雄的,坦克就不容易。除非你驾驶一只虎式。但你们最后败了,无论驾驶什么都不会拍成英雄电影,真不好意思。(不过仍然有《泥泞中的老虎》)
在胜者阵营,最常规的坦克谢尔曼和T34都无法单独作战。作为集团军的一部分,就不好拍电影了。除非你拍成《狂怒》这样,设计出一种不可能存在的情况,英雄主义才能出来。
虽然德国定义了坦克,美国定义了电影,但最终定义坦克电影的是网游《坦克世界》。
这部电影刚上映,赞助方《坦克世界》就推出一款“狂怒”谢尔曼。就是普通的T4A2炮管上刷“FURY”字样。普通谢尔曼是免费的,“狂怒”卖30美元。
当得知《坦克世界》是赞助商以后,我对这部电影的所有疑惑都迎刃而解。对它的评价从3分上升到5分。
这根本就不是装甲战电影!是坦克电影!
最正统、最纯粹的坦克电影,像《坦克世界》一样纯粹。
仅举一例,这部电影里主要坦克都是真的。用的虎式是英国当年缴获的,用的谢尔曼都是从博物馆里开出来的。但是,反坦克炮只是拖着走了一圈,根本没用上。
这个故事设定在1945年4月——这句话就交代清楚了一切,只要别做傻事,美国坦克在德国不会出现以少敌多的悲壮情况。这和设定在1944年夏的《拯救大兵瑞恩》不一样。
这时,盟军已渡过莱茵河,苏军在东边筹备柏林战役。希特勒已搬进地堡,正在为斯坦因那筹集不到部队发火(元首的愤怒),他将在月底自杀。美军在心理上想赶在苏联以前攻进柏林,但隐约知道赶不上了。
主角们所属的第二装甲师属于第12军,是先锋中的先锋,所以有很多孤军深入的描写。这时他们在汉诺威(Hannover——皮特车长的喝醉笑话),往易北河方向走。大任务是与苏联会师,把德军切断。
小任务是清扫战场,消灭残兵,巩固阵地。
作为指挥官,当然还有个更大的任务,他们从非洲打到意大利、诺曼底,最后打到德国本土,都到这个时候了,其实唯一的任务是把手下人安全带回家。
——皮特车长一开始说出这个目标的时候,是很有说服力的。为此他逼小机枪手杀战俘也能被原谅,观众也都希望他快锻炼出来,别影响大家活命回家。最后车长出尔反尔,是这个结局,真想掀桌。
电影一开始皮特杀了纳粹,放走一匹马。从此马和女人和人性,就是电影中不可分割的符号。
然后凑齐成员,坦克上路。电影前半部分是非常靠谱、非常精彩的。一辆坦克出门就被炸了,这是德国步兵针对坦克发动的唯一一次有效攻击,也是任何游击队在这种情况下的理性选择。
这可惜这是电影中德国人唯一一次展示智商。
剩下的四辆坦克占了三种谢尔曼型号,还有一辆装备了当时应该已经不用的M3短炮筒。这明显是放杀必死,小分队每一辆车型号都不一样,也太不方便了。
第一个任务开始,这些车突突突地在战场上收集散兵,很真实也很好玩。这是唯一一次展示坦克支援作战,也是最真实的一场戏。
这时我还想,开场半小时就出这么场大戏,后面的压轴得拍成什么样啊?难道今天将看到改变我人生观的那部电影吗?——结果,呵呵。
然后进入城镇,触发剧情,队伍道德值降3。
再上路,继续往前推进,遭遇一辆虎式!
发生了一虎战四谢的电影史奇迹。奇迹的点在于五辆车都是真实的,那辆可能是世界上唯一还能动的真实虎。
具体战斗过程是这样的:咚咚咚、突突突、英文通信、德文通信、突突突、突突突……
这里就比较网游了,双方都是光杆坦克,为了画面好看,不管三七二十一都冲出掩体,在平原上对峙。美军的设计思路是,8-10辆谢尔曼可以对抗一辆虎。三辆谢尔曼排成一排,直线往前冲的精神,除了服务观众也没什么更好的理由。
虎式正面刀枪不入,没有主角光环的A1、A4三辆车秒毙。主角车超人化,在极近的距离绕到虎式后面,连开两炮灭了虎。
做人要知道好歹,这段坦克战设计得很卡通,是为了让你看个爽的,挑毛病就没意思了。
唯一一辆坦克继续完成任务,给后续部队清理一条路。
还没提到,这辆车上没有通信兵。是不是因此叫不到支援,不清楚。
坦克踩到地雷,炸坏了履带——这部电影也没出现过机械师,小毛病由装填手随便修一修。真的是充满孤胆英雄气息的一辆坦克。
现在履带断了,他们也要自己修。相信观众也想看看,他们五个人打算怎么空手修履带,可惜没有这个机会,远处来了300多个希特勒青年团。
神一样的压轴大戏开始了,车长出于对纳粹的憎恨,拒绝躲进丛林,决定用一辆坦克战300步兵。
当然,他们面对的不是普通的300个步兵,是缺乏战斗经验的、不知道往坦克下面扔炸弹的、喜欢在坦克狭窄的视角里走来走的,最不可理喻的那种步兵。
那些少年兵打开坦克盖子一定要往里看一眼,然后被爆头。没人遵守标准作业程序扔个手雷什么的(除了最后)。而且都是面对机枪也不匍匐的好汉。
一辆虎守住一个阵地并非神话,不过都是在迫不得已的情况下,而且一定有支援步兵和维修人员。谢尔曼的设计不是用来防守的,在不能动的情况下,就是一个铁棺材。加上这时美军占绝对优势,死守一辆坦克孤军奋战真是莫名其妙。
退一万步讲,就算这个地方必须死守。条件是五个人、轻重两挺机枪、一门炮、其他武器若干,除了都蹲在不能动的坦克里,你能想出个别的战术吗?
不过那就不是拜坦克教了,这部电影就没意义了。
最后还有一个杀必死,是在少年兵中间有个资深狙击手。各种福利元素目不暇接,令人激动不已。
在这部崇拜圣坦克的电影中,演技绝对拯救了剧情。剧情线很弱,但是利用细节增加了人性深度。
故事基调是《大兵瑞恩》以后长盛不衰的“战争把人变成鬼”。闪耀人性光芒的三个年轻人:小机枪手、德国少女、最后打手电的年轻德国士兵,都是因涉世不深而单纯。在三个人在即将堕入战争炼狱的边缘,战争结束了,或者是人死了,三个人免于丧失人性,是这部电影最动人的地方。
而其他人已经变成鬼了,延续了布拉德.皮特在《无耻混蛋》里,没有好人坏人之分的战争观,也算是最近战争电影的风气。
变成鬼的人死在战场上,不见得是坏事。
另有两件小事,布拉德.皮特已经老到可以演导师形象了,稍微有点意外。
还有这片子的烟火师,不知道在想什么,做些火树银花的爆炸效果。
⑽ 为什么说电影《建军大业》是一部没有主角的电影其原因是什么
在这部电影里面,没有所谓的主角,因为这里人人都是主角,他们每一个人都是我们中华民族的伟大功人。这里没有所谓的主角光环,这里只有真真切切的残酷战争!
《建军大业》是一部以新中国成立前的历史事件为题材,宣传爱国主义和对党的热爱的电影。这部电影在上映短期内,立刻受到了很多观众们赞扬。今天,让我们来看看这部电影的美丽。 强大的阵容和技术创新。
以上就是小编要说的了,大家觉得怎么样呢?